It’s an older book, I can get a different version but that’ll be $20 more, this is the cheapest option. Are those small orange stickers easy to remove?

It's said to be limited, but eBay and other sites are full of it. that's why I ask

Unfortunately, I thought this issue with listings receiving almost no views that many others seem to be having would correct itself but it seems to be getting worse instead of better. I have about 200 listings plus that I’m sitting on. I used to do really well. All came to a halt. Frustrating because I know I have sell worthy items.
I’ve contacted Meta support several times and have received the same generic answers that there’s nothing wrong with my account and blah blah blah. Okay but something DID change on your end, Facebook. I am not even eligible to boost if I wanted to I don’t have that feature yet though I heard it’s useless anyways.
I am considering eBay but not as familiar and I was hoping to get some pros and cons for anyone that uses it or any other platforms so I can sell my stuff and recoup some money! What’s different about listing/shipping? Any tips? Thank you in advance.

I would love to attend one of the larger 🌈 Pride events this year. Is there anything happening around the South Bay? I don't particularly want to go up to Hollywood for parades or whatever up there. I hear Long Beach has a well attended Pride parade, but was hoping for something a bit closer. Thanks in advance!

Yankees @ Dodgers - Sat, Jun 03

Game Status: Pre-Game - First Pitch is scheduled for 07:15 PM EDT

Links & Info

• Current conditions at Dodger Stadium: 73°F - Sunny - Wind 7 mph, Out To CF
• TV: National: FOX
• Radio: Yankees: WADO 1280 (es), WFAN 660/101.9 FM, Dodgers: KTNQ 1020 (es), Dodgers Radio AM570
• MLB Gameday
• Statcast Game Preview

ALE Rank	Team	W	L	GB (E#)	WC Rank	WC GB (E#)
1	Tampa Bay Rays	40	19	- (-)	-	- (-)
2	Baltimore Orioles	36	21	3.0 (102)	1	+3.0 (-)
3	New York Yankees	34	25	6.0 (98)	3	- (-)
4	Toronto Blue Jays	31	27	8.5 (96)	4	2.5 (102)
5	Boston Red Sox	30	27	9.0 (96)	5	3.0 (102)

	Probable Pitcher (Season Stats)	Report
Yankees	Gerrit Cole (6-0, 2.93 ERA, 73.2 IP)	No report posted.
Dodgers	Michael Grove (0-1, 8.44 ERA, 16.0 IP)	No report posted.

Yankees Lineup vs. Grove	AVG	OPS	AB	HR	RBI	K
1 Torres - 2B	-	-	-	-	-	-
2 Judge - RF	-	-	-	-	-	-
3 Rizzo - 1B	-	-	-	-	-	-
4 Donaldson - DH	-	-	-	-	-	-
5 LeMahieu - 3B	-	-	-	-	-	-
6 Bauers - LF	-	-	-	-	-	-
7 Kiner-Falefa - CF	-	-	-	-	-	-
8 Trevino - C	-	-	-	-	-	-
9 Volpe - SS	-	-	-	-	-	-
10 Cole - P	-	-	-	-	-	-

Dodgers Lineup vs. Cole	AVG	OPS	AB	HR	RBI	K
1 Betts - 2B	.545	1.128	11	0	1	0
2 Freeman, F - 1B	.353	1.127	17	1	2	6
3 Smith, W.D. - C	-	-	-	-	-	-
4 Muncy - 3B	.000	.000	2	0	0	2
5 Martinez - DH	.216	.792	37	2	4	17
6 Heyward - RF	.120	.450	25	0	1	3
7 Peralta - LF	.417	1.295	12	0	1	1
8 Outman - CF	-	-	-	-	-	-
9 Rojas, M - SS	.500	1.167	2	0	0	1
10 Grove - P	-	-	-	-	-	-

Division Scoreboard

TB 5 @ BOS 8 - Final
TB @ BOS 06:10 PM EDT
TOR 0 @ NYM 1 - Middle 3
BAL @ SF 10:05 PM EDT
^{Last Updated: 06/03/2023 05:23:17 PM EDT}

First Previous Next ​ ​

In a bustling mining town:

Jax had been enjoying himself. The war stories and barely believable tales of antics of the Humans he'd served with he told in the coffee parlors were popular among the intoxicated of both sexes, though the admiration and further libations from the men were far less captivating than the rapt attention a very pretty woman with a lithe figure and strong tail gave him. Comely indeed, and she would come to listen to him. Though it seemed to onlookers that he had captivated her, it was her dark pools of eyes that he had dove into, and found them deep and inescapable. She kept those eyes trained on him so long as he spoke, and so he spoke, seeing in those depths possibilities.
Indeed, Jax had begun to expect that if he were to ask Rae to accompany him to the upcoming autumn festival, she might not reject the notion. Even with troubling rumors about somebody attacking a neighboring nation, and the sudden vanishing of the Star Sailors from Star Council space were far from his mind, and the minds of the other coffee patrons parlor patrons. It was in this ease and comfort that he and many other Numiindan residents found their lives shattered by horror.
It began with the burning streaks of the wrecked Space Defense Force, more law enforcement than military, fell from the sky. He was just in the middle of a story about the time his buddy Erin had gotten stuck in his own armor when he stopped and said, "Does anybody else smell smoke?"
There was a general testing of the air by the group of variably intoxicated patrons, followed by a fruitless checking of datapads for the news. "Network's down," somebody in the small crowd said.
"Well, we'll just go outside and take a look," Jax said, and Rae subtly clasped his hand. Outside, the pair squeezed each other's hands so hard they hurt. The sky was streaked with gashes of billowing black smoke of destroyed ships and fighters, and what destroyed them was descending while raining hot plasma down on anything that looked vaguely like it might be fortified.
"The Ancestors preserve us," Rae whispered.
"I'm not going to wait on them," Jax said, "we need to get under cover now, and not just the lounge!"
Someone in the crowd said, "The mines! There are some pretty big chambers down there, and it's like, miles of rock to burn through."
"Good plan," Vex said, "If they're doing areal lances like that they don't care about collateral damage, everyone, split up in groups of three or four, and get as many people as you can to get to the mines."
"What if they follow us down?" Rae asked.
"We'll flood the mines. Hopefully they can't swim."
An hour later, a press of over a hundred panicked elderly and children were running along behind Jax. The majority of the parents and other adults had elected to buy time. Jax had to focus on his mission, save the civvies, get them under cover, to keep from bolting off to join them. "As long as the pups are alive," he muttered.
The sounds of shouting and plasma lance discharges spurred him and Rae on, and though he was obliged to lead the way, she insisted on bringing up the rear. She insisted that none of the injured were left behind. Then, they saw it, salvation. The gates to the mines, and behind them, the shaft plunging down beneath the rock. There were miners with plasma cutters and force axes at the gates, and Jax knew better than to relax. Even as the miners swung the gates open and escorted their panicked charges to the shaft elevator.
"We're getting ready to flood the main shaft, and everything but the vents to the largest chamber," one of the miners said, "get everyone up against the back wall, and pray the Ancestors remember us."
Jax just nodded and gripped his crowbar as he scanned the road they had run down saying, "I'm going to need fighters. We have to hold out until the Republic gets here."
"The Republic? You think they'll come?"
"Of course," Jax said with steel in his voice, "of course."
The next day, Jax held a meeting with the others he was thinking of as the leaders, or maybe other fighters, to tell them what he thought and hear what they thought in return. They had swam to an air pocket in one of the flooded tunnels and held their conversation in the dim light of a portable glow lantern to keep the civvies from panicking at what might be said. There Jax and Rae floated with Kai, a miner and the one who had suggested sheltering in the tunnels, Mei, an engineer in from the big city to help design an upgraded refining facility, and Ash, a man reluctant to divulge his past.
"So, we have about eight hundred civvies, none of whom are in fighting shape, no weapons, no food, and a highly defensible position," Jax opened, "I believe our first priority should be arming ourselves so we can raid the surface for food."
"The first aid kits are barely adequate. They're made to deal with maybe a localized plasma burn from a cutter malfunction, or to put temporary splints on a broken limb. Not lance wounds and to stabilize breaks for healing," Rae murmured softly.
"I did a little scouting," Kai said, "Just popping up in the vent covers, they didn't see me. I saw my house. What's left of it. Anyway, I know how to get to where there are some weapons we could get if we're quick. If we're quiet."
"The flooding did significant damage to the mines," Mei muttered. "I haven't seen any signs that it's getting worse, but the quakes will probably keep on. We will have to reassure the civilians. If they bombard the town from orbit though…"
"There's not much we can do about that," Jax said firmly, "so let's focus on what we can manage. Weapons, food, medicine."
"Blankets," Ash said, "The people are cold, scared. Blankets will help with morale. Survivors. There might be survivors."
"Weapons, food, weapons, blankets, and survivors. Okay, that's a start. Who wants to tell them?"
"Will the Republic really come?" Ash asked.
"They will come," Rex said firmly.
"I can tell them," Rae said as she reached out to clasp hands with Rex. He let her squeeze his hand once, and they dove down into the water to swim back to the main chamber.
The people were understandably stressed at the news that their only protectors would soon leave them alone, but they were reassured when Rae explained that they planned on raiding the surface for supplies and planned to be gone for a few hours at most.
Later, Ash was skulking around a police station, or at least the charred remnants of one, while Jax tried to see him doing so from inside the vent cover. He had been a little aprehensive of the man's claims that he could scout the building unnoticed, but the proof of the meat was inside the shell, so he took a chance. It paid off.
"All clear," Ash whispered from outside Jax's field of view.
"You made your point," Jax said, "good work."
"It's… it's not good in there."
Jax opened up the vent cover, and dropped to all fours to creep his way to the shattered building, and his companions did so behind him.
They squeezed through a gap in the rubble and slowly shifted the rubble until they had tunneled their way to the basement stairs, which they descended immediately. They tried to ignore the singed and shattered corpses of the police officers as they crawled past or over them. They failed at this. They had marginally more success in ignoring Rae's vomit at the grizzly task.
In the basement they found chemprop weapons, magacs, plasma casters, and long distance tasers in rifle and pistol configurations, as well as some light flak armor and personal shields. "Don't bother with the casters or tasers," Jax ordered as he wrapped his hands around the familiar shape of a rifle stock, "Terrans use these for a reason." The others deferrred to his experience, and Rae went to check the other basement rooms for medical supplies.
When she cried out, Rex and the others rushed into the adjoining room, but found no danger there. Only the chief of police, a magac pistol lay at his feet, and the wall to his left was painted in a sanguine splatter. "Nim," she almost moaned in grief.
"You knew him?" Ash asked.
"My uncle."
The others murmured their apologies, none of them strangers to such loss in the past day, and Ash pulled a discarded coat over the man taken by despair. "We have to make sure the people don't decide that this is a good idea," he softly murmured.
"Okay, see what else we can find for supplies here. Kai, can we get to a clinic from the tunnels?"
"Three of them."
"We'll hit the nearest one first, then we swim out to the bay and see if we can get anything from the fishery."
Then, they once again committed to the grizzly task of crawling through the rubble.
The clinic was miraculously intact, only a little exterior fire damage from the fighting, but it was also guarded. The invaders hadn't expected anyone to actually attack with weapons, as thus far most resistance had been fierce but only armed with improvised weapons. The two guards were relieved of their duties by magnetically accelerated iron chunks that left golf ball sized exit wounds in their backs before they even knew they were under attack. Inside, there was not only a treasure trove of medical supplies, which Rae directed them to take only the most versatile or in most dire need, but there were also prisoners in one of the exam rooms. They had injuries that indicated that they were painful but not lethal. Jax was furious.
The fishery offered enough food for the next few days, and their triumphant return kindled hope in the sheltering civilians that they might just hold out.

In low orbit over Numinda:

Acolyte-Lord Gukea-Sarvon surveyed his glorious conquest. Glad he was to have received orders to seek out resource rich planets, for instead of wasting his talents spilling unworthy blood to sate the thirst of Axzuur, he had instead found a race worthy of toiling for his glory. They could never be true warriors, Five days, and he had obtained control over the system and planet. Truly, the pathetic resisance offered by their so-called fleet had dismayed him, but the reports of the ferocity with which the males and some of the females on the orb below fight against his warriors armed only with what is to hand, and sometimes merely tooth and claw, excited him greatly.
It would be pleasing to elevate the lion's share of Axxaakk serfs to more worthy work, to more… worthy services. This new acquisition would even free up many serfs to become warriors, even, which would mean more sacrifices to Axzuur, which would mean greater favor. Although, there were still pockets of resistance across the planet. Even though his forces controlled the communication infrastructure for the planetary and superluminal networks, these pockets seemed to somehow act in concert to keep vital positions outside the Axxaakk's rightful reach.
It would seem that a mere scout group was insufficient, so he was being reinforced by, Acolyte-Lord Narrex-Quinn, who had been reassigned to a subjugation group including a battleship, three frigates, and their escorts. This should provide sufficient warriors and equipment to properly subjigate the planet, freeing Acolyte-Lord Gukea-Sarvon up for the much more pleasant task of crushing the next planet's defenses. Just two days of further drudgery until Acolyte-Lord Narrex-Quinn arrived to take on the unenviable task of crushing the indipendent spirits of the new serfs. At least he had a few specimens for his own research in the best methods to do so to occupy his time.
Two days later, Acolyte-Lord Narrex-Quinn had sent his counterpart sprawling off of his own dais with a metalic backhand slap, "WHY ARE YOUR ESCORTS NOT INTERDICTING HYPERSPACE EXITS AROUND THIS POSITION?"
Acolyte-Lord Gukea-Sarvon staggered to his feet in a fury, "BECAUSE MY SCOUT FLOTILLA WIPED AWAY ALL RESISTANCE IN LESS THAN A DAY!"
"Observe," Acolyte-Lord Narrex-Quinn said coldly as he slammed a data crystal into an input, and the display screen lit up with the scene of a Terran fleet engaging an extraction fleet, and far from being swept away, they were fighting the extraction fleet to a slow defeat.
"Is that a stone temple?" Acolyte-Lord Gukea-Sarvon blurted out.
"It is."
"Why?"
"To show they can," Acolyte-Lord Narrex-Quinn said with disgust.
Acolyte-Lord Gukea-Sarvon's eyes went wide as he asked, "How did that curiser take hits from behind."
"The Terrans apparently use kinetic weaponry, they fired the munitions in a slingshot trajectory while another ship forced it to maneuver into the line of travel."
"The calculations involved…"
"It is my belief that this is not even the main fighting force of the Terran military, for observe further," Acolyte-Lord Narrex-Quinn twisted the crystal to display a split video of several systems on the screen. "These look like merchant vessels with guns strapped to them, and Priest-Lord Tiglach-Pilexer agrees that is likely the case. These fleets are likely auxiliaries sent out to probe our strength while the Terrans gather their true forces."
"Thank you for relaying this, I shall indeed run hyperspace interdiction at the next world."
"Your orders have changed. We are to extract what we can, and carry it off to the Dominion. The expeditionary fleet is insufficient."
Acolyte-Lord Gukea-Sarvon resisted the urge to spit upon the floor. "I too have information. These… these mammal-worms are worthy of at the very least toiling underneath the Axxaakk. Though their forces are defeated, the people fight on, just as the serfs did before they were broken and rebuilt to Axzuur's glory, may the stars tremble at his step."
"They are mammals, hold hostage their young, as we do for an unruly serf."
"This is a good plan, brother."
"We must not allow the Terrans to surprise us as they did Acolyte-Lord Xamxi-Avav."
First Previous Next ​ ​

It’s been so bad I only accept either a $1.00 per mile or a trip with the time estimate showing that I’d make about $30 a hour
But with this method I’m literally sitting in my car for 20 to 30mins declining offers because they don’t meet either criteria my first 2 hours of the day I literally made $20 accepted 2 trips probably out of 15 offers But I only drove 11 miles and every time I parked I turned off my engine right away I pretty much only accept a 4.8 or higher nothing below that
So second method I did I said fuck it let me try out being a damm sheep and just completely ignoring distance pay ratings everything my results at the end of this set of 2 hours
Made $35 but ended up driving about 47miles and delt with two rude passengers one was like a 4.65 accepting the trip and the other like a 4.71
And before you ask me Bay Area East Bay market Richmond Albany Pinole Hercules Rodeo San Pablo From the hours of 9am to 12 noon today Saturday

Hey sfr4r,
25+ preferred
I'm interested in looking for a weekend buddy to hang out with, go out on hikes and running etc.
I'm looking for someone who is interested in doing this but this can include play if interested. Like cuddles the most
I'm into a casual or friendship non judgmental with anothe. male. I prefer you are a gaysian and have an interest in gay Asian related things - can be movies, anime, gaming, etc. This doesn't have to be anything more than friends - don't treat it like we are dating but it can go there.
DM me if you are into this... Spring is here and summer is coming up.
Straight men who are bicurious are welcome.
East bay preferred but sf peninsula or southbay ok
Please be around my age 25+
Plus if you like wearing pink shorts

Hello all I’m looking into getting a vita 2000 to mod and searched eBay found so many but sadly all Japan so I am weary on the condition ……my question is I seen a lot of people in here have multiple vitas purchased from eBay can someone point me in the direction for a seller they’ve dealt with that has good prices and better condition thnx 👍

Been wanting to begin reselling DVDS for a while now! Think my first haul came about a month before I turned 17! So for over a year, I’ve just been frequenting thrift stores, garage sales, and other places where discount DVD’s and video games are sold, and have been buying anything that sells for $7 or more regularly. I turned 18 at the end of May, and have begun listing my collection of DVDs, Video Games, and even a couple VHS tapes, and within 4 days of listing my first products, I’ve made 4 sales! I bought most of my stock at my local Goodwill for 1.99, and 3 of the sales were, the other being 99 cents from another thrift store. So $7 worth of products, sold for a total of $69.67, which is a $62.71 profit, in only 4 days of being an active seller on eBay! I hope I’ve packaged everything correctly, and all the products reach their buyers safely!

Driving today in the heat and started getting nasty vapor lock after standing still at a redlight.
Starting thinking about ways to keep the engine bay cooler to avoid this. Figured this is a good excuse to look into a stainless exhaust + wrap. Would look cool, sound cool, and run cooler in the engine bay than the stock exhaust setup.
Anyone know where you can find an MG Midget 1500 stainless exhaust setup?

Saturday, May 27 - Friday, June 02

Top Remaining Posts

score	comments	title & link
187	56 comments	Bo Horvat on LI via @JoePantorno: "I don’t know why this place has gotten that reputation from a lot people. I think it’s such a hidden gem for many reasons: Living, family, the organization, the team, the facilities — I love it here and I’ve only been here for 3 months."
90	27 comments	Isles ranked 7th best in The Athletic's NHL broadcast rankings
76	60 comments	No surprise here: Bailey listed as the isles worst value contract in 2022-23 via The Athletic
59	19 comments	Robert Mastrosimone, a 2019 second round pick of the Red Wings looks unlikely to sign with them. He is from Bay Shore and looks like an Isles fan based on his social media
39	13 comments	It’s that time in the off season where I am looking for any type of news…. Pierre reposting his Islanders birthday post is a good sign, right?
9	14 comments	Any good non-reddit Islanders forums?
4	2 comments	Your weekly /newyorkislanders roundup for the week of May 20 - May 26
4	4 comments	Weekly free talk thread- Week of May 29, 2023

 

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https://preview.redd.it/xbbmvwk05y2b1.jpg?width=1280&format=pjpg&auto=webp&s=116c1a4c80219604524cc4a321c8086cdb93a5a7
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Interested in a female, preferably attached as well and appreciate discretion. Open to a couple.
A bit about me. I am 46, 6’1, Scandinavian Ivan that live in the South Bay. Up meeting some friends today and staying overnight. Handsome, salt/pepper dad/daddy.
I am in possession of all my own hair and teeth. Healthy and just looking for uncomplicated adulterous fun :)

Hello guys, I am potentially looking to break into working for the government as a land surveyor and wanted to inquire on what you all think of moonlighting? I have talked to a few guys at CALTRANS who do moonlight and they say its mostly in their free time.
​
My idea is to do the following: contract out drafting to an old colleague, work on Fri-Sun in the field maybe once or twice a month as time permits, then resolve boundaries Mon-Thurs at night. The job would likely be Mon-Thur 6:30AM-5PM. I do not see any conflict of interest, as it would be for a public agency who does not review submittals of record maps, it would be likely a utility. I would use my own time and equipment, and do not believe they outlaw moonlighting.
​
They pay for public agencies in the bay far surpasses private, when you consider working conditions. To me, this sounds like a very profitable setup. Do any of you working for the public also do similar? Any problems or issues you have encountered?

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Intro

To preface this review, I just need to say that this is going to be a very, long read. Going through it myself just for the fun of it takes around 30 minutes — it's almost 7k words of text, including lyrical references. So for the best experience, listen to the album beforehand to understand what the hell I was thinking when I wrote this review, play the album while reading, and set a good amount of time aside.
And yes, this is 9 months late 😭 I'm not sorry — when I find an album review online it's always around a paragraph per song or even shorter. It makes sense from a journalistic perspective, but I want to do this album justice, hence taking 7 months to write out all my thoughts.
This shit is comprehensive and definitely overanalyzed, especially in Talk that Talk and Trouble. Each song review will compose of my commentary going over the song, noting the details I noticed through months of listening, then a conclusion. Also, mild swearing warning, I like implementing a touch of "French" when I'm very emotional about something. Anyway, onto the review!
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Between 1&2 💞

Album Review
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TELL ME WHAT YOU WANT
TELL ME WHAT YOU NEED
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Talk that Talk 🎙

Lead producer: collapsedone
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One of the most perfect TWICE songs.
I think this is one of TWICE’s best-sounding title tracks. Warm modulated synths, a thrumming bass line, distant bells, shimmering synths — the purpose of this song is to be fun and my god is it excellent at it, like… Sana and Chaeyoung are saying knock-knock-knock and beep-beep-beep as if they’re some kind of car. So much fun.
Further along in the verse, Dahyun’s voice sounds so full and smooth with that layered harmony. Tzuyu coming with the Yes or Yes, Push & Pull, and 1 to 10 references — these are 5 years of song references. And Jeongyeon closes the pre-chorus accompanied by a rising synth to drop into chorus one. Jeongyeon slays pre-choruses.
The drums accelerate, the synths start blasting, and Jihyo opens to that party of a chorus with her godly vocals,
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Tell me what you want
Tell me what you need
A to Z da malhaebwa
But shijageun ireoke have
Talk that talk ttak han madi
Talk that talk L-O-V-E
deullyeojweo ooh
Now now now now now yeah~

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During Sana's Talk that Talk~ lines there’s this gentle ascending synth bell that rings with the descending melody and it sounds absolutely gorgeous. And the choreography during that part of the chorus is so so so so fun: the talking hands bit, spelling L-O-V-E, concluding with the deullyeojweo ooh! Oh my Jihyo the deullyeojweo ooh…
Have I mentioned this song is fun?
Speeding through verse 2; Chaeyoung’s part with the cat ears popping in the music video is adorable; Momo her stretching her arms out looks so damn cool; and Dahyun with her replay part sounds so lovely — although I think it sonically sounds a touch random, it makes sense thematically.
And now for this pre-chorus. Mina and Jihyo leading into it sound great BUT JEONGYEON… Now, she is my ult bias, and this pre-chorus sounds almost identical to the first one, but the way she holds that final note, enunciating and holding that now~ for one more beat before the chorus drops sounds so perfect — the song teeters on a cliff edge. Jeongyeon slays pre-choruses.
Dropping into the second chorus and man, Jihyo powered through that first chorus, but the way Nayeon delivers it just hits different. She has this indescribable “pop” voice (I promise this wasn't on purpose) that stands out and shouts this is THE chorus. I think this is especially apparent in how both lead their choruses where Jihyo starts at 120% power while Nayeon waits until [Tell me] WHAT YOU WANT to full-send it. She also highlights “malhaebwa” in a similar way later in the chorus.
Another deullyeojweo ooh! Nayeon travels to Narnia, and Mina the engineer strikes again in this heavenly, underwater-esque bridge,
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The simple words “I love you”
That’s all I wanna hear
Without hesitation, I’ll go up to you
I’ll make it simple
And just tell you I love you

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The word “love” is said for the first time in the song. There’s a funky keyboard instrument behind Chaeyoung’s part. Jihyo, Chaeyoung, and Nayeon take the initiative in their lyrics, professing their love before closing the bridge.
And now for the pièce-de-résistance: this final double chorus is exceptional — 40 seconds of crack-laced euphoria; Jihyo switches up the chorus and the choreo, Dahyun chimes in with her fluttery “Talk that Talk”, Momo comes out of nowhere with “oh yeah it sounds so good!” — you’re damn right it does, and this is where the song SOARS.
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han beon deo~ haejweo
geurae banggeum geu mal~

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Nayeon outright shouts “Tell me what you need” and then Jeongyeon sings the above lines in such an ethereal, warm way where the first line ascends while the second line descends, causing a lull in the song before the finale with Nayeon, finishing off the song with the final deullyeojweo ooh! What a party. What a song.
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THE GOOD

• The synths of all time
• The chimes during Talk-that-talk~
• Jeongyeon’s pre-chorus going into Nayeon’s chorus
• The entirety of that magical, final chorus and outro

Needs Work

• The opening hook (Tell me what you want) and accompanying choreography could be “catchier”

Core Memory

• Singing (and dancing) my heart out when this song played at a K-pop club

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Lyrics and theme-wise, if this were to have been TWICE’s last comeback, they’ve once again built upon the theme they've been doing since debut: a Bildungsroman, a coming-of-age story.
This song’s chorus is honest yet simple; it asks the listener, in this case, the other half of the relationship, to be more upfront and open with their love (never be scared of love), that before the relationship can continue and flourish there has to be a foundation and commitment of love between each other.
TWICE debuted with a song about making your crush go ooh ahh. Years later, they started pondering “What is love?” and imagining their crush responding with “yes” when asking them out — and now concluding with the phrase “Talk that talk, [talk that] L-O-V-E”, being upfront with the relationship, wishing their partner to also be happy, to commit to them, to feel the love that they want to impart on them. From gawking like ooh-ahh to talking out your shared love like adults — to having a true relationship between (one and) two.
And can I just say before finishing off Talk that Talk's review that this is such a fun and repeatable song with many little intricacies hidden in the nonet’s vocals and the production. This is the third draft I’m writing about Talk that Talk and its original word count pretty much quadrupled.
Harkening back to TWICE’s roots by combining mature thinking with youthful character, an incredible ending to look forward to, and just simply being a club-banger that’s easy to listen to, TTT is an easy 10/10.
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WATCH ME GO WATCH ME GO
RULE THE WORLD
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Queen of Hearts 👑

Lead producer: LDN Noise of SM
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If there was one B-side to promote in a live clip, this was a solid choice.
Helmed by LDN Noise going headlong into the Western boy-group rock-band aesthetic, Queen of Hearts is a boom-boom-clap song through and through. The drums are very prominent throughout the song, only giving room to riffs of electric guitar in the chorus to drive and continue the momentum of the music.
And speaking of the chorus, vocal line each got a chorus to flex and they did not fuck around,
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You ain’t ready for it
Watch me go~ watch me go~
Rule the world
Know you never doubted baby
I’mma go run the whole universe~

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Cymbals crashing, drums booming, and 3MIX belting all just so sound so good.
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Baby I was born to rule~~
Yeah I’m the queen, I’m the queen
And it’s all because of you~~
That I’m the Queen of Hearts

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These long, held-out notes performed by Jihyo and Nayeon are simply exquisite. Along with the shredding guitar, the drum set coming in full, and the interludes by Dahyun, Momo, and Chaeyoung, this is the part of the song that always, always, gives me goosebumps — it sounds so visceral, so energetic, so fun, so triumphant. Boom-boom-clap songs can be hit or miss with people, but there's no denying the payoff from the first part of the chorus to the second part is worth the wait.
The theme of the song so far has been kind of spread around the song. The chorus alludes to it with the line "And it’s all because of you." But Mina shows more sides of it in the second verse, especially with the phrase,
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And now that I’m surrounded by all my girls
We be shining bright like diamonds and pearls

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It sounds really lovely — in a very cheesy and affectionate kind of way, as it rightfully should — the song is about the girls and their fans. But the bridge is where the song indeed shows its colours
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Screaming out my name
See it in the stage lights
Feel so lucky just to have ya
Cause I know deep down I was meant for something bigger! Greater!
I know you’re seeing what I see
Yeah I’ll be everything you need
I know I’m gonna walk the walk
And talk the talk to be~ [the Queen of Hearts]

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This is a song CONCEIVED TO BE PERFORMED FOR THE FANS. It’s meant to be loud. It’s meant to be unapologetic. It’s meant to be sappy. And it’s all the more wonderful for it.
This is the TWICEiest shit ever.
Like Talk that Talk, Queen of Hearts also has a killer closer. The production already started to grow from the bridge, but now the guitarist finally went Super Saiyan and instead of supporting the drums, they both take the centrepiece in tandem.
Then finally, the closing moments of the song even manage to squeeze in some more sappiness.
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So thank you for the memories
You’re all the ones who made me~
So thank you for the memories
That I’m the Queen of Hearts

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I still can’t believe that this banger is a FAN SONG out of all things. Truly, the TWICEiest shit ever.
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THE GOOD

• Adorable fucking lyrics
• Unrelenting, roaring chorus
• English and vocal flex
• Addicting guitar riffs

Needs Work

• Chaeyoung rapping in English in their Korean songs somehow slaps harder than her English rapping in their English songs, nonetheless, in QoH, it fits with the sound of the song

Life Highlight

• Walking home from a K-pop festival with this song playing, felt like a Queen of Hearts

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I love these types of rock songs with how grunge and head-bang-able they are, there is just a certain nostalgic and cheesy quality to them that feels so cozy. I don’t love putting them on repeat, because in this case, I do believe there is such a thing as too much of a good thing. Perhaps more shredding, maybe a guitar solo to rock out to, or an accompaniment(!) of ad-libs from 3MIX to support Jihyo’s final chorus? A ONCE can dream of a truly bombastic rock song from TWICE. But then again that distracts from the core of what this song is: a fan song disguised as a rock song.
Queen of Hearts has so much sweetness in its lyrics and message that it's overflowing. The drums, guitar, and vocals can be as loud and intricate as they can, but the theme of this song is what makes it special from TWICE’s other rock songs — it’s a 9/10 for me.
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I WANNA WANNA WANNA
TAKE YOU TO THE BASICS
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Basics 🌈

Sole lyricist credit: Chaeyoung
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Quite possibly the jammiest (pun intended) song of the album.
A song written by the Strawberry Princess herself — an event similar in frequency to other artists' releases with her last song being 2020’s silky Handle It — Basics first starts with an understated and dreamy delivery. After the first stanza, however, a bouncy Miami bass line emerges, revealing the true nature of the song: this is a classic summer bop! Especially in the first rap,
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dareun aedeulgwaneun dalla
Ain’t beggin’ for love
nappeun geon anijana ige naraseo
eodiro twilji molla
Like rainbow bubble gum
geureoni nal kkwak butjabadweo

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Syllables are pronounced in a relaxed nature, bars often starting with an "ah" sound, flirty lines in English — this rap features a production full of pop with R&B flourishes and, in my opinion, this is Chaeyoung’s bag. Also, the line "rainbow bubblegum" is so adorable and so Chaeyoung.
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I wanna wanna wanna take it to the basics
da weonhae weonhae weonhae? seodureuji ma Baby
ppeonhae ppeonhae malhae mweohae da al tende
Ah yeah ah yeah ah yeah ah yeah

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That chorus is pure pop with a Miami bass backing; you better be bopping your head to the melody, if not booty poppin' to the bassline. Chaeyoung loves rhyming in the first half of the chorus to enhance its catchiness and it's damn incredible: the “wanna”, “weonhae”, and “ppeonhae” all create these imperfect rhymes that continue momentum without feeling repetitive.
After the very Boy With Luv-sounding “ah yeah ah yeah, ah yeah ah yeah” comes an 8-bar split half and half between Chaeyoung and Momo. Coming from the chorus, the production completely cuts out for the first 2 bars. This adds tension; the song yearns to have that bass beat thumping again and all we have in the audio space in those 2 bars is Chaeyoung spittin' and she delivered.
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taneun deut tteugeoun samak wie
yeppeuge pieonan jangmi gata
joshimseure naege dagaol ttae
nado moreuge jjilleobeoril tende

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Translating to:
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Above the hot, burning desert
It’s like a rose that bloomed beautifully
When you come to me slowly
I will prick you unconsciously

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The rap feels slick, effortless, and confident. Her diction remains sharp when enunciating each syllable but she doesn’t let the flow of her rap waver or build as her 4 bars go by, it’s just smooth consistency throughout. Even the lyrics possess an aura of laid-back collectedness that is just so her. The things Chaeyoung can do when given her pen.
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THE GOOD

• That sweet summer vibe of a chorus
• The “spaceship” post-chorus is killer
• Chaeyoung devoured this song
• Sure-footed, confident lyrics

Needs Work

• Perhaps an alteration of that ah yeah ah yeah line
• The way Jihyo did her pre-chorus line is good, but Mina’s is great

Core Memory

• After donating my hair, walking down the rainbow-coloured areas of downtown Toronto with this song playing was very… fitting

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This song is summer bliss distilled into 2:56. It’s dreamy, the raps are satisfying, and the ending is charming. I will say that although the second half of the song adds the stunning “spaceship” post-choruses and a floaty bridge with an incredible drumbeat drop into the final chorus, the raps of the song make it feel a bit front-loaded. And in an album stacked with awesome finishers, it feels more apparent.
With that said, it’s an 8/10 bop for me. This song is so easy to put on and it feels exactly what Chaeyoung would make if given the reins to produce a pop song all on her own. The lyrics are nonchalant but full of conviction, the wordplay is intricate, and the production playful but not too bombastic — it's just a nice vibe. Songs like Basics are the standard for good, simple, repeatable pop music and I’m happy that Chaeyoung got to test her pen in this genre.
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BABY WE’RE IN
TROUBLE TROUBLE
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Trouble 💃

Sole lyricist credit: Jihyo
Background vocals: Jihyo
Lead composer credit: Jihyo
Vocal director credit: Jihyo (an assumption given her contributions in First Time)
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One of the most enjoyable songs I’ve heard in a while.
There is an underlying tension within the first 4 bars of the song, Jihyo and Nayeon confidently open it to a nondescript array of synths and then the stanza ends, Momo announces “Let’s go”, the beat drops and it hits you: this is a club song.
Dahyun's relaxed delivery contrasted with Jeongyeon's staccato flow, the wobbly synth beat with sprinkle of house piano, Sana dramatically slowing down the song only for Tzuyu to build it back up until the chorus drops,
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• Nayeon opens it using a breathy tone, with vocal chops serving as harmonies
• The blooming of the house piano takes centre stage and the song ascends into euphoria
• A random drum roll capped off by a cymbal crash
• Jeongyeon’s pronunciation of the word “trouble” almost being a growl
• Chaeyoung slyly admitting “I like this trouble”
• The entirety of Tzuyu’s tro~oh~oh~ouble yeah~
• Sana using her deep voice for the na~na~na~na
• Jihyo leading the vocals during the synchronized T W I C E chant

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This chorus is perfect. Toronto’s residential market needs this song injected into its veins because god damn this song has SO much house in it. And then, ANOTHER KILLING PART: this rap fucking slaps.
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gamchweo bwatja geugeon Fake
ppajin hamjeongeun Sweet cake

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During the first 2 bars, Chaeyoung is keeping it calm because that trip of a chorus just ended and the song needs a breather, but I don't think anyone expected her to SNAP this hard afterwards:
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You cannot resist this
Cannot miss this, such a bliss
Ima put it down down
Oh yeah, better kiss kiss

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Below is the structure of her this portion of the rap, I’m not that well versed in this technical aspect of music theory but I digress, this is all in the span of around 5 seconds where it’s:
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Triplet-triplet
Quadruplet-triplet
Quadruplet-doublet
Doublet-quadruplet

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Now, 25/5 = 5 syllables per second isn’t groundbreaking, but goddamn it these 2 bars sound so nice — if there is one part in this album that I always repeat, it’s this. The addition of that first quadruplet for “cannot miss this” in the midst of the triplets sticks out and accelerates the flow of the rap while the following doublets and quadruplets destabilize and slow the rap down as the verse closes. And can I just point out:
THE MAIN VOCALIST WROTE, DIRECTED, AND COMPOSED THIS SONG ‼
Chaeyoung of course delivered the fuck out of her verse but THIS is what you get when you have a member not only write the words they’re saying but also the melody and flow with which they sing it, when that member knows the others so well that when they write a song they know how to make the group exceed. This is what you get when the artists you stan love doing artist shit.
And. AND. That's not all — with how much I mentioned I love a good outro to close a song, this outro slaps as well:
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Woo wee woo wee woo
I like this trouble be-be
Woo wee woo wee woo
I like this trouble bay-be
Woo wee woo wee woo
I like this trouble bay-beh
Woo wee woo wee woo
I like this trou-ble

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Like, come on, Nayeon’s imitating a police siren for crying out loud. And this is all after her ad-libs in the final post-chorus; after the pianist going full tilt and playing that piano as if it was their last chance to ever play; after that final T W I C E chant by all the members come these blissful 20 seconds at the very end. What a song.
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THE GOOD

• The theme of relishing in an uncontrolled love
• Sana and Mina’s melody in the pre-chorus
• Chorus
• Rap
• Outro
• Wees and woos

Needs Work

• Mina’s line of “falling down, falling down, falling down low” in verse 2 feels a bit too abrupt of a change

Core Memory

• While writing Trouble's review I had this song on repeat for my whole subway commute and I must've been so distracting, just head-bopping and being so invested in enjoying a song

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Need I say more, easy 9/10. The only reason I place Talk that Talk above Trouble is because of what that song represents but besides that, this is one of the best “international” sounds they’ve put out. Actually, I haven’t listened to Eyes wide open in a while but this song is up there with one of the most sonically pleasing pieces of work they’ve done.
Clubbing TWICE has always been a thing since TT was birthed in 2016, and has been a staple of their discography since 2019’s Fancy You and Feel Special mini albums, but Trouble unapologetically dives into and fits the house genre so well you’d think that this is TWICE’s bread and butter sound.
Trouble is Jihyo’s magnum opus. What a song.
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BRAVE BRAVE BRAVE
FOR YOU
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Brave 💖

Main producer: Slow Rabbit of HYBE
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I first thought this was just a good song, then I read the lyrics.
Gentle guitar plucks, shimmering synths, a distant keyboard in the right ear, in the left a glockenspiel, the melodic oohs from the members — this song is PRETTY.
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The night that was unusually dark
Above this terrifying world, felt so lonely
The world has grown in the time of wandering
So hard to breathe

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Mina and Chaeyoung open the song with how they feel lonely and that it's hard to breathe and now suddenly the song feels bittersweet — I was not expecting the song to be this emotional. Brave describes a situation where the singer is in a darker place in life and it isn't until another person gives them hope by calling them 'brave' that they find the drive to keep going.
Once the chorus hits, the melodies pick up, more guitars get added — there’s even an electric guitar hidden in the mix somewhere, and the song drops the emotional front to reveal a mid-tempo pop song to dance to while crying in the club. The song as a whole still carries this melancholy feeling, but now with the added support of this chorus acting as a light amongst the gloom.
Continuing on in the second verse there's this gorgeous, well-placed break in the song that just lets it settle after that chorus. Only a seasoned producer would risk this much empty space in a song and Slow Rabbit went to fill those shoes.
Back to the chorus, I'll take this moment to once again commend Slow Rabbit with the mixing of the song, because 4MIX undoubtedly sounds good in the chorus, and the interludes from Dahyun, Chaeyoung, and Mina also sound really good, but the clear highlight of the choruses are these lines:
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Oh na na na neon nal naige hae [Momo, then Tzuyu, then Momo]
On and on and on
Brave brave brave for ya [Dahyun, then Chaeyoung, then Mina]
Oh na na na neon nal sum shwige hae [Sana, then Momo, then Sana]
On and on and on oh trust me babe

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Momo, Sana, and Tzuyu form this beautiful, surprisingly catchy, second half of the chorus accompanied by a guitar drop. It should not turn out this well with how conflicting the "na"s are with the guitar melody but it creates this gentle bopping ebb and flow that feels so lush and mellow.
Diving into the bridge reveals that the listener of the song is revealed not only capable of supporting the singer through direct words but also through their thoughts and dreams. As can be discerned, this can be a song interpreted to be about ONCEs, about how they push TWICE to be their best selves despite the breathless hardships they face. It's a very sweet and touching song.
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THE GOOD

• Special lyrics
• Pleasant sound to vibe out to
• That gentle break after the first chorus
• Jihyo’s high note at the end
• A Nayeon Jeongyeon joint high note ⁉️
• Just pretty vocals throughout

Needs Work

• Potentially hard to comprehend without translating the Korean lyrics

Core Memory

• Form of Therapy’s life motto revolves around the word “brave”. I don’t know where I got that from, but I remembered it right before watching his album reaction

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I’m actually spoiled with the TWICE members’ easy-to-understand songwriting that when a song like this pops up where it's not written by a member and the thematic bits are mostly in Korean, I tend to put it aside in favour of the other songs on the album. And, especially for a song focusing on a theme like this where the English phrases don’t do the Korean lyrics enough justice, it does place a bit of a barrier on the listening experience, dropping it down to a 7/10 from an 8/10.
With that anecdote out of the way, this song is just such a vibe, man. I know that sounds super hippy to say but Brave is so mellow and smooth that I can’t help but sway a little when that chorus hits. And then I remember what the lyrics say and I tear up a bit on the inside. This song is so pure, raw, and full of heart — we need more songs like these where they just reminisce about life while putting up an upbeat front. Don't mind me just crying while dancing the night away.
With that said, this isn't the first time this theme has been sung by TWICE either, they've long trodden this path of supportive, confiding, up-lifting songs with Young & Wild, Rainbow, Queen, Go Hard, Depend on You, even this album's Queen of Hearts, and, of course, Feel Special. Brave just adds another on top of an already stacked lineup, unique with its mellow somberness.
Also now feels like a good time to get into my rating system:

• 7/10s are songs are ones that are simply good throughout or great songs with apparent flaws
• 8/10s are great songs with standout characteristics
• 9/10s are borderline perfect songs where I sometimes can't comprehend how great they are
• And 10/10s are the best of an artist's discography, songs that encapsulate their ethos perfectly or expand upon them in a meaningful way

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I SEE THE LIES
ON THE TIP OF YOUR TONGUE
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Gone 💨

Sole lyricist credit: Dahyun
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Who the fuck pissed off Dubu this time??
It’s getting quite rare to see TWICE pull off brand new sounds because, with now 190 original songs under their belt, they’ve done so many genres and sub-genres varying from hyper pop, to bossa nova, to whatever 2020’s Go Hard is. So it’s surprising to see they’ve still got tricks up their sleeves and Gone is one of them.
The song starts with strings swinging back and forth and vocal chops dancing from ear to ear, teasing what’s yet to come. Jihyo enters the song with a whisper and the song sets its pace. A stagnant drum pad moves the song along and typical song progression would have Mina continue the build but — it doesn’t. The song simmers, adding a hint of high hat to the pot. And then, Sana and Tzuyu come on and surely the buildup must boil over right?
Silence, until…
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I see the LIES on the top of your tongue

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The strings emerge again on full blast, the simmer rolls to a boil, and the anger of the song is revealed,
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All the fate I had towards you
Fades like a fog, gone, gone
Your flipping mind of doing this and that
I’m tired of it, it’s meaningless
In the beginning, it was hard to believe
With that, hatred increases

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The singer is so scorned and burned from this relationship that they reminisce about all the effort they’ve put in since the beginning, but their “partner” is so unconcerned that they’ve just about had enough of the relationship altogether.
This has been Dahyun’s thing since 2020’s Bring It Back, 2021’s Cruel, 2022’s That’s all I’m saying, and even 2023's Don't Blame It On Me — emotionally charged breakup songs that make you feel as if she’s gone through a dozen bad relationships. Dispatch, do your job better, or don't.
Another highlight of the song is the post-chorus going into the bridge. This segment reiterates the structure from the first post-chorus — a barrage of drums supported by the rhythmic strumming of a bass guitar along with a consistent synth filling out the soundscape. But this time, it’s Dahyun and Chaeyoung on the rap:
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I can’t stand it anymore [Dahyun]
My patience, invisible
I can’t find it, it’s all gone
Even if I try to turn back, it’s too late [Chaeyoung]
There’s no use anymore
It has left, it’s long gone
You, with flipping mind, you are out [Momo]
I know that you know what I’m talking about [Dahyun]
Nothing you could say that could turn this around
I’m gone

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Continuing the disrespected theme of the song, Dahyun notes that she’s finally had enough with Chaeyoung adding that there’s no point salvaging what was once there for all of it is long gone. Momo and Dahyun round it off by telling the listener that there’s no point trying to reason with them or playing naive, they fucked up and there’s no coming back.
Can I just say, it's a bit of a shame that Chaeyoung’s rapping popped off in this album while Dahyun only has this one verse that she shares with Chaeyoung, but it just sounds so good how Dahyun eases in after the chorus with her light rapping tone transitioning into her singing. She even holds the “gone” in a little crescendo for some added pizzazz.
And, there’s no way I’m not going to talk about Momo’s vocals in this bridge. Damned if she only got 1 line to use it in, her lower register is incredible. She sounds so smooth singing in this tone. All of TWICE do in particular and there is nary a weak vocal performance in this album.
To close the song off, a wash of synths gets to have their shine in the spotlight, showered with Nayeon’s belting, signifying the dramatic and drawn-out conclusion of this partnership.
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THE GOOD

• They’ve still got their surprises
• Thundering chorus
• 2nd rap and bridge combo
• A bitter, crumbling relationship theme

Needs Work

• I’m not a huge fan of the mixing during the first post-chorus, where Momo's vocals were fighting with the production, which is disappointing because Momo is capable of an insane flow
• The post-chorus in general, specifically the first one, can be a bit tiring on repeat listens

Core Memory

• Actually, I think this song sounds like a mix between GOT7's Not By The Moon, BLACKPINK’s Love To Hate Me, and Dahyun’s Bring It Back. I don’t know where I got this thought came from, but it stuck

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Going back to that point about the first post-chorus as a whole; songs that have the production continue unchanged into the post-chorus/2nd verse are very hit or miss for me — see TWICE's Don't Call Me Again for an overbearing example. The post-chorus going into the bridge contrasts Dahyun’s light tone nicely with the hard-hitting production, continuing the energy until it slowly fades into silence at the end of the bridge.
Back to the song as a whole, as much as TWICE has been experimenting with their sound for the past 4 years now, I’m happy they’re still finding new ways to explore what they’re capable of. And for that alone, even though I’m not a big fan of songs like these where they rely on sounding “big”, Dahyun’s lyricism and the thrill I receive every time I indulge myself in this song when I listen to it for the first time in a while elevates it to an 8/10. Keep on breaking hearts, Dubu.
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INVINCIBLE
SUPERHEROES
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When We Were Kids 🧸

Sole lyricist credit: Dahyun
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Press play to reminisce, pull up lyrics to cry.
This song is so beautiful. I’m totally not writing this song review, crying on the bus reminiscing about my childhood, while just having turned 21. I don’t know if these are happy or sad tears but this song is so beautiful either way.
Warm synths, muted piano, a gentle high hat, the younger members starting off the song — this has to be up there for one of the softest TWICE songs ever. And as it should, it’s one of the TWICEiest songs ever. And then Nayeon comes in,
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Invincible superheroes, we wanted to be adults
To the higher, clearer world

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The chords start swelling, the high hat keeps pace, and the harmonies come in,
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Remember when we were kids
When we were kids, we didn’t know
If we could go back
I will love it even more
Remember when we were kids

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Jihyo takes up the second half of the chorus as it drops, trading the strings for an almost R&B synth production — if choir R&B takes off, this song started it. The song relishes in this cacophony of warm sounds until returning to its sparse and peaceful verses.
This time, the hints of piano are louder, little twinkling synths begin to shimmer, the drum buildup comes and Jeongyeon drives the song straight into the chorus. No time for the strings to build like in Nayeon’s — this song loves its chorus so much.
And I'll just take this time to appreciate the amount of Jeongyeon vocals in this album. Her voice is so clean, stable, and projected — but also more tender and soft compared to the more pronounced tones of Nayeon and Jihyo.
The bridge comes in, repeating the phrase:
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I wish that I could meet
Could meet the younger me

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Giving the song time to rest, before building back up to the last chorus — this time led by Jihyo, completing the 3MIX trifecta. And interestingly enough, Chaeyoung follows up in the second half of the chorus, rather than another member of the vocal line. She really did pop off in this album.
As the last chorus begins to close, the percussion at its strongest, the harmonies on blast, the background vocals cranked up to their Sunday best, is the song going to end? Of course not! This is an album full of banger endings as if the songs don’t want to end, and When We Were Kids being the album closer very much indulges in that feeling.
After a brief refrain, accented by Nayeon’s high note with a touch of vibrato, the song almost dives back into a fourth chorus. Nayeon and Jeongyeon harmonize — a rare and heavenly moment. And the song repeats the bridge, reiterating that they want to meet their younger selves, this time with the lush chorus production before closing with silence, a few piano notes, and Tzuyu singing the last line of the song:
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Oh, we were kids

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Reflection, acceptance, hope. What a song.
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THE GOOD

• Heavenly vocals throughout
• Relatable, heartfelt lyrics
• Euphoric chorus
• Great closer to the album

Needs Work

• Refrain after the last chorus, "Back when we were kids," could’ve been executed better

Core Memory

• For an album titled Between 1&2, I don’t think anything hits harder than finishing the song reviews, with this song in particular, during your 21st birthday

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I wrote the first part of this review in November 2022. Then university, life, and other things got in the way of my headspace for me to feel confident about wrapping all of this up. In a way, I felt like I just didn’t want this review to end because of the joy that writing gives me — I didn’t want the happiness to end. And then it hit me, after watching a YouTuber rank animated movies and them placing Spirited Away at the top and explaining 'why' reminded me of just how important growing up is, and by extension this song.
This theme is important for both the rookie TWICE members in 2015 and the teenagers who would follow their journey and grow up with them, facing life’s obstacles along the way. Hardships that used to only involve family, crushes, and social media, evolve into work, commitments and all the struggles that adult life brings. Being a kid and enjoying the simple things in life is one of the most sought-after moments we want to relive because we took growing up for granted. The only thing we can do now is look back on ourselves with fondness and rose-tinted lenses.
TWICE’s original marketing was to resonate with people through their senses and their hearts. That was during their debut, and I think it still holds up today. In my opinion, touching people through their emotions is what TWICE does best and makes them one of K-pop’s all-time greats. It was never about having the best numbers — it was always about being the best idols. And to think that this journey of maturation and growth would occur from 2015 all the way to this song, being a fitting nod to TWICE’s 7th anniversary, I don’t think anyone at the company nor the group would ever imagine that they would get this far. It’s these nine women or none — 9/10.
This song honestly deserves a 10/10 with how much I noticed other people reminiscing their childhoods after I heard this song, it is such a widely-relatable message, but I am determined to limit myself to one 10/10 song per album and if I were to pick between TTT and WWWK, I'd give it to the one's that's more repeatable — Talk that Talk just has this electric energy about it.
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Epilogue

And finally here is the end. If you made it in one sitting then I commend you, because I could not write this mess in one sitting. As alluded to, I started writing this album review sometime in October, after a series of edits the first draft was finished in March, and now here's the final draft in June.
I love this album. It got me through some important parts of my life, both good and bad, and it's just a wonderful listen throughout. Reliving this album again before finally completing the review has been an exciting journey. Brave hit me harder this time, after being overshadowed by the other gems of this album, and WWWK finally got me to tear up and not just be emotionally satisfied.
I feel like there's something for everyone on this album. From the exhilarating thrills of TTT to the anthemic euphoria of QoH, the clubbing dichotomy of Trouble and Brave to the blissful glee of Basics, and the sweet reminiscence of WWWK to the thundering anger that is Gone. Like Eyes wide open, I liken Between 1&2 to a pop music taste platter — there's such an eclectic mix of pop, music in this album that there's bound to be a song that someone will love, like, and dislike.
Is this album perfect? I don't think so, but it's close — it was certainly my 2022 AOTY. Was this review biased? Absolutely. I've been a fan since 2019 and with the themes in this album, I also feel like it was biased towards me as a ONCE. And how would I rank the album in TWICE's catalogue? It's honestly at the top, at least with EPs — I also felt that way towards Feel Special but then this album was birthed so I'm excited for TWICE's future.
Ready To Be was also a stunning album and Eyes wide open frankly also deserved the spotlight that Formula of Love received so I might hit those next but no promises; this album took long enough to bake.
As for the performances, I've only seen Twitter clips (no fancams to not spoil myself) and I am SO EXCITED to finally see them in July. QoH was as glorious as expected, Brave was a delightful surprise, and WWWK, while not being the concert closer everyone expected it to be, paired up nicely with Crazy Stupid Love. And of course the bombastic addition of the dance break to TTT. But, this is not a concert review, and this is where this album review ends.
Feel free to comment with any thoughts regarding the album, other TWICE albums, and any suggestions for my writing in general. Congrats again on making it this far!
God, I love this album.

Hi all. Excuse the rookie post, as when it comes to this subject I'm an absolute rookie...
Just purchased from eBay a modded Yamaha Pacifica 611HFM. I spent £400 inc. shipping.
The guitar has a few little knocks but looks (and seems to play/sound) fantastic. We're really enjoying it. The seller description inc. mods is as follows:
" Yamaha Pacifica 611HFM in Root beer finish, it’s like a hard tail strat, but more bang for your buck compared to a fender. When I got it the previous owner had put in an iron gear dirty torque humbucker in and swapped the locking tuners for some generic ones, I’ve put locking tuners back on, changed the humbucker to a tone rider rock song as I fancied something different (P90 is the original), and upgraded the rest of the electrics with CTS pots and a CRL 3 way selector, as well as a pure tone Jack and set it up with 10s (d’addario XTs)
It’s an incredibly versatile guitar with a push pull to split the humbucker to single coil, both pickups sound awesome and it’s a really well built guitar which plays so nicely. I can throw in the other pick up for a little bit extra if wanted. "
For the guitar and modifications, does it sound like I've gotten a decent deal? Are there any further possible modifications or things to check that I should be considering?
Many thanks :)

Is there anywhere to get some spore prints or live cultures in the bay?

PLEASE READ! I am a trans woman. I HAVE A PENIS! I PRODUCE SPERM! I DO NOT HAVE A WOMB! I CAN NOT GET PREGNANT! So men please kindly stay away. Anyway I put both Green Bay and Milwaukee in the title because Green Bay is currently the closest city to me however I'm moving to Milwaukee in a month. My ideal situation would be a coparenting situation but not required. I'm disease free. Dm if interested.

Hi all,
I'm trying to find the Black Bay 58 Bronze, I went to the Tudor site and know it's only found it certain boutiques. According to the website it lists that the Tourneau Tudor boutiques in NYC should have them but I reached out to both and were advised they do not carry them as they're not an "official" boutique. Does anyone know which stores in the USA actually carry this model?
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Thank you