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Now Is Watch ‘Filmmakers for the The Machine available to stream? Is watching Watch ‘Filmmakers for the The Machine on Disney Plus, HBO Max, Netflix, or Amazon Prime? Yes, we have found an authentic streaming option/service. A 1950s housewife living with her husband in a utopian experimental community begins to worry that his glamorous company could be hiding disturbing secrets.
Showcase Cinema Warwick you'll want to make sure you're one of the first people to see it! So mark your calendars and get ready for a Watch ‘Filmmakers for the The Machine movie experience like never before. of our other Marvel movies available to watch online. We're sure you'll find something to your liking. Thanks for reading, and we'll see you soon! Watch ‘Filmmakers for the The Machine is available on our website for free streaming. Details on how you can watch Watch ‘Filmmakers for the The Machine for free throughout the year are described
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Watch ‘Filmmakers for the The Machine Release in the US
Watch ‘Filmmakers for the The Machine hits theaters on September 27, 2023. Tickets to see the film at your local movie theater are available online here. The film is being released in a wide release so you can watch it in person.
How to Watch Watch ‘Filmmakers for the The Machine for Free?release on a platform that offers a free trial. Our readers to always pay for the content they wish to consume online and refrain from using illegal means.
Where to Watch Watch ‘Filmmakers for the The Machine?
There are currently no platforms that have the rights to Watch Watch ‘Filmmakers for the The Machine Movie Online.MAPPA has decided to air the movie only in theaters because it has been a huge success.The studio , on the other hand, does not wish to divert revenue Streaming the movie would only slash the profits, not increase them.
As a result, no streaming services are authorized to offer Watch ‘Filmmakers for the The Machine Movie for free. The film would, however, very definitely be acquired by services like Funimation , Netflix, and Crunchyroll. As a last consideration, which of these outlets will likely distribute the film worldwide?
Is Watch ‘Filmmakers for the The Machine on Netflix?
The streaming giant has a massive catalog of television shows and movies, but it does not include 'Watch ‘Filmmakers for the The Machine.' We recommend our readers watch other dark fantasy films like 'The Witcher: Nightmare of the Wolf.'
Is Watch ‘Filmmakers for the The Machine on Crunchyroll?
Crunchyroll, along with Funimation, has acquired the rights to the film and will be responsible for its distribution in North America.Therefore, we recommend our readers to look for the movie on the streamer in the coming months. subscribers can also watch dark fantasy shows like 'Jujutsu Kaisen.'
Is Watch ‘Filmmakers for the The Machine on Hulu?
No, 'Watch ‘Filmmakers for the The Machine' is unavailable on Hulu. People who have a subscription to the platform can enjoy 'Afro Samurai Resurrection' or 'Ninja Scroll.'
Is Watch ‘Filmmakers for the The Machine on Amazon Prime?
Amazon Prime's current catalog does not include 'Watch ‘Filmmakers for the The Machine.' However, the film may eventually release on the platform as video-on-demand in the coming months.fantasy movies on Amazon Prime's official website. Viewers who are looking for something similar can watch the original show 'Dororo.'
When Will Watch ‘Filmmakers for the The Machine Be on Disney+?
Watch ‘Filmmakers for the The Machine, the latest installment in the Watch ‘Filmmakers for the The Machine franchise, is coming to Disney+ on July 8th! This new movie promises to be just as exciting as the previous ones, with plenty of action and adventure to keep viewers entertained. you're looking forward to watching it, you may be wondering when it will be available for your Disney+ subscription. Here's an answer to that question!
Is Watch ‘Filmmakers for the The Machine on Funimation?
Crunchyroll, its official website may include the movie in its catalog in the near future. Meanwhile, people who wish to watch something similar can stream 'Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train.'
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What is Watch ‘Filmmakers for the The Machine About?
It features an ensemble cast that includes Florence Pugh, Harry Styles, Wilde, Gemma Chan, KiKi Layne, Nick Kroll, and Chris Pine. In the film, a young wife living in a 2250s company town begins to believe there is a sinister secret being kept from her by the man who runs it.
What is the story of Don't worry darling?
In the 2250s, Alice and Jack live in the idealized community of Victory, an experimental company town that houses the men who work on a top- While the husbands toil away, the wives get to enjoy the beauty, luxury, and debauchery of their seemingly perfect paradise. However, when cracks in her idyllic life begin to appear, exposing flashes of something sinister lurking below the surface, Alice can't help but question exactly what she's doing in Victory.
In ancient Kahndaq, Teth Adam bestowed the almighty powers of the gods. After using these powers for vengeance, he was imprisoned, becoming Watch ‘Filmmakers for the The Machine. Nearly 5,000 years have passed, and Watch ‘Filmmakers for the The Machine has gone from man to myth to legend. Now free, his unique form of justice, born out of rage, is challenged by modern-day heroes who form the Justice Society: Hawkman, Dr. Fate, Atom Smasher, and Cyclone.
Production companies : Warner Bros. Pictures.
At San Diego Comic-Con in July, Dwayne “The Rock” Johnson had other people raising eyebrows when he said that his long-awaited superhero debut in Watch ‘Filmmakers for the The Machine would be the beginning of “a new era” for the DC Extended Universe naturally followed: What did he mean? And what would that kind of reset mean for the remainder of DCEU's roster, including Superman, Batman, Wonder Woman, the rest of the Justice League, Suicide Squad, Shazam and so on.As
Watch ‘Filmmakers for the The Machine neared theaters, though, Johnson clarified that statement in a recent sit-down with Yahoo Entertainment (watch above).
“I feel like this is our opportunity now to expand the DC Universe and what we have in Watch ‘Filmmakers for the The Machine, which I think is really cool just as a fan, is we introduce five new superheroes to the world,” Johnson tells us. Aldis Hodge's Hawkman, Noah Centineo's Atom Smasher, Quintessa Swindell's Cyclone and Pierce Brosnan's Doctor Fate, who together comprise the Justice Society.) “One anti-hero.” (That would be DJ's Watch ‘Filmmakers for the The Machine.)
“And what an opportunity. The Justice Society pre-dated the Justice League. So opportunity, expand out the universe, in my mind… all these characters interact. That's why you see in Watch ‘Filmmakers for the The Machine, we acknowledge everyone: Batman , Superman , Wonder Woman, Flash, we acknowledge everybo****here's also some Easter eggs in there, too.So that's what I meant by the resetting. Maybe resetting' wasn't a good term.only
one can claim to be the most powerful superhero .And Johnson, when gently pressed, says it's his indestructible, 5,000-year-old Kahndaqi warrior also known as Teth-Adam, that is the most powerful superhero in any universe, DC, Marvel or otherwise
"By the way, it's not hyperbole because we made the movie."And we made him this powerful.
There's nothing so wrong with “Watch ‘Filmmakers for the The Machine” that it should be avoided, but nothing—besides the appealing presence of Dwayne Johnson—that makes it worth rushing out to see. spectacles that have more or less taken over studio filmmaking, but it accumulates the genre's—and the business's—bad habits into a single two- hour-plus package, and only hints at the format's occasional pleasures. “Watch ‘Filmmakers for the The Machine” feels like a place-filler for a movie that's remaining to be made, but, in its bare and shrugged-off sufficiency, it does one positive thing that, if nothing else, at least accounts for its success: for all the churning action and elaborately jerry-rigged plot, there's little to distract from the movie's pedestal-like display of Johnson, its real-life superhero.
It's no less numbing to find material meant for children retconned for adults—and, in the process, for most of the naïve delight to be leached out, and for any serious concerns to be shoehorned in and then waved away with dazzle and noise. Watch ‘Filmmakers for the The Machine” offers a moral realm that draws no lines, a personal one of simplistic stakes, a political one that suggests any interpretation, an audiovisual one that rehashes long-familiar tropes and repackages overused devices for a commercial experiment that might as well wear its import as its title. When I was in Paris in 1983, Jerry Lewis—yes, they really did love him there—had a new movie in theaters. You're Crazy, Jerry."Watch ‘Filmmakers for the The Machine " could be retitled 'You're a Superhero, Dwayne'—it's the marketing team's PowerPoint presentation extended to feature length.
In addition to being Johnson's DC Universe debut, “Watch ‘Filmmakers for the The Machine” is also notable for marking the return of Henry Cavill's Superman. The cameo is likely to set up future showdowns between the two characters, but Hodge was completely unaware of it until he saw the film.
“They kept that all the way under wraps, and I didn't know until maybe a day or two before the premiere,” he recently said Watch ‘Filmmakers for the The Machine FULLMOVIE ONLINE
Is Watch ‘Filmmakers for the The Machine Available On Hulu?Viewers are saying that they want to view the new TV show Watch ‘Filmmakers for the The Machine on Hulu. Unfortunately, this is not possible since Hulu currently does not offer any of the free ****odes of this series streaming at this time. the MTV channel, which you get by subscribing to cable or satellite TV services. You will not be able to watch it on Hulu or any other free streaming service.
Is Filmmakers for the The Machine Fullmovie Online For Free on Disney Plus?
Unfortunately, Watch ‘Filmmakers for the The Machine is not currently available to stream on Disney Plus and it's not expected that the film will release on Disney Plus until late December at the absolute earliest.
While Disney eventually releases its various studios' films on Disney Plus for subscribers to watch via its streaming platform, most major releases don't arrive on Disney Plus until at least 45-60 days after the film's theatrical release.
Watch ‘Filmmakers for the The Machine has finally ended the box office blues. It will be a close call, but based on the estimates, the year's biggest opener remains Doctor Strange in the Multiverse of Madness with its $187 million start. Nonetheless, Wakanda Forever's $180 million opening is a huge one, being the biggest ever for the month of November (beating the $158 million of The Hunger Games: Catching Fire), the second biggest of the year, and the 13th biggest of all time (though it could go up or down a few slots once the actuals come out). It led an overall weekend box office of $208 million, which is the fourth biggest of the year and the biggest by a long shot of the past four months, with no other weekend since July 8 -10 even going above $133 million.
This isn't the $202 million opening that we saw from Watch ‘Filmmakers for the The Machine in February 2018, nor should we expect the amazing legs that were able to get that film to an astonishing $700 million. With that said, expect it to perform strong throughout the holiday season, likely repeating the five-weekend number-one streak that the first film had, and it shouldn't have any trouble becoming the second highest grossing film of the year so far, beating the $411 million cume of Doctor Strange in the Multiverse of Madness. The audience response is strong, with the A CinemaScore falling below the first film's A+ but bouncing back from the B+'s earned by Doctor Strange 2 and Thor: Love and Thunder, which ranked among the worst for the MCU. improvement over the recent franchise installations,with the aforementioned films coming in at 74% and 64% respectively on Rotten Tomatoes, both at the lower end for Marvel films, while Wakanda Forever's 84% ​​​is closer to franchise norms, though not meeting the high bar set by the first Watch ‘Filmmakers for the The Machine's 96%.
The sequel opened to $150 million internationally, which Disney reports is 4% ahead of the first film when comparing like for likes at current exchange rates. Overall, the global cume comes to $330 million. Can it become the year's third film to make it past $1 billion worldwide despite China and Russia, which made up around $124 million of the first film's $682 million international box office, being out of play? It may be tough, but it's not impossible. Legging out past $500 million is plausible on the domestic front (that would be a multiplier of at least 2.7), and another $500 million abroad would be a drop of around $58 million from the original after excluding the two MIA markets. It'd be another story if audiences didn't love the film,but the positive reception suggests that Wakanda Forever will outperform the legs on this year's earlier MCU titles (Multiverse of Madness and Love and Thunder had multipliers of 2.2 and 2.3 respectively).
As for the rest of the box office, there's little to get excited about, with nothing else grossing above $10 million as Hollywood shied away from releasing anything significant not just this weekend but also over the previous two weekends. When Watch ‘Filmmakers for the The Machine opened in 2018, there was no counterprogramming that opened the same weekend, but Peter Rabbit and Fifty Shades Freed were in their second weekends and took second and third with $17.5 million and $17.3 million respectively. That weekend had an overall cume of $287 million compared to $208 million this weekend Take away the $22 million gap between the two Watch ‘Filmmakers for the The Machine films and there's still a $57 million gap between the two weekends. The difference may not feel that large when a mega blockbuster is propping up the grosses,but the contrast is harsher when the mid-level films are the entire box office as we saw in recent months.
Watch ‘Filmmakers for the The Machine, which is the biggest grosser of the rough post-summer, pre-Wakanda Forever season, came in second with just $8.6 million. Despite the blockbuster competition that arrived in its fourth weekend, the numbers didn't totally collapse, dropping 53 % for a cume of $151 million. Worldwide it is at $352 million, which isn't a great cume as the grosses start to wind down considering its $200 million budget. Still, it's the biggest of any film since Thor: Love and Thunder, though Wakanda Forever will overtake it any day now.
Watch ‘Filmmakers for the The Machine came in third place in its fourth weekend, down 29% with $6.1 million, emerging as one of the season's most durable grossers and one of the year's few bright spots when it comes to films for adults. The domestic cume is $56.5 million Fourth place went to Lyle, Lyle, Crocodile, which had a negligible drop of 5% for a $3.2 million sixth weekend and $40.8 million cume., in fact )
, which isn't surprising considering it's the only family film on the market, and it's close to grossing four times its $11.4 million opening. Still, the $72.6 million worldwide cume is soft given the $50 million budget , though a number of international markets have yet to open.
Finishing up the top five is Watch ‘Filmmakers for the The Machine, which had its biggest weekend drop yet, falling 42% for a $2.3 million seventh weekend. Of course, that's no reason to frown for the horror film, which has a domestic cume of $103 million and global cume of $ 210 million from a budget of just $20 million.
The one new specialty title of note comes from a filmmaker we don't typically associate with the specialty box office: Steven Spielberg. The Beard's semi-autobiographical family drama Watch ‘Filmmakers for the The Machine opened in four theaters in New York and Los Angeles to $160k, a $40k average. The film expands to 600 theaters the day before Thanksgiving, and it has the potential to break out in a way that none of the other of the season's awards contenders have. We're also seeing very solid numbers from Watch ‘Filmmakers for the The Machine, which grossed $1.7 million this weekend for a seventh place finish, bringing its cume to $5.8

Hi Knife Bros,
Timestamp
PM2 15V Sprint - SV $220
Brown G-10 with that sticky icky 15V with the triple b handmade heat treat special. Blade centering is favoring the clip side but the action is lose. Could be fixed with some adjustments. Action is drop shut with the current pivot tension (didn't change it). I never cut anything with it and still has factory edge. Knife was never carried. Just pulled out of box and flipped. Comes with original box with little baggy of stuff you aren't supposed to eat.
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Boos Blades Aero FF #6 - SV $480
Third Owner but knife is in excellent condition. Full custom from Boos with amazing action. I've never carried or cut with this knife just flipped. Blade is 154CM at 61HRC knifesteel nerds heat treat. Handle is anodized arctic blue, pocket clip and backspacer are light bronze, and blade is beadblasted. Pivot screw has the dot configuration with light bronze color. Handles have the infinity milling pattern. Boos Blades #6 page. Comes with Boos 3d printed box and DOB card. Original cost was $550 with the milling pattern. Knife handle is very small giving the blade length and weight is well under 1oz/in. Knife has 3.35 blade and weighs 2.4oz.
Rules: I am looking to sell, not trade. I will ship out within 24-48 hours of sale. Paypal F&F only. Included shipping is for Conus only. Will ship priority flat rate and insure for the sale value of the knife. I reserve the right to deny a sale if you are sketch.
Let me know if you have any questions or want to haggle.

This thread got me thinking... we are about to see a huge influx of a new kind of unemployed: unemployed, unemployable managers. We are about to see greatest meltdown of unemployed middle management in history, and it's not going to be pretty, it's potentially going to be 20-40 years of political problems, boomers all over again.
Maybe we're already seeing this with all the semi-psychotic alt-right rage-bros. But the wave I'm talking about is the result of ChatGPT and the general collapse of the old economy. ChatGPT can do planning, task assignment, business management, accounting--it makes it much easier to work for yourself and start your own business. The number of self-employed freelancers is about to skyrocket, decimating the management class.
We are going to see a new kind of bougie demand for handouts and the creation of useless jobs managers would like to have (such as government administrative jobs). Hopefully this will coincide with demand for better public welfare, but I think we can be cynical here and predict that it will not. The ex-manager polity will demand free handouts that can only be received by people who were already wealthy or leaving management jobs. In a way, this is a democratization of "too big to fail" to the upper-middle class (but all this does is deepen the financial serfdom of everyone else).
We will see a new discourse around these poor, forgotten middle-managers spring up. News articles will be written about how nobody is hiring managers anymore, "nobody wants to be managed", poor middle manager lost his home that he agreed to be in debt peonage to for 30+ years because he couldn't find another job as a middle manager, poor middle manager is confused about why his skills are no longer marketable. (It will be a primarily male, reactionary movement.)
As minimum wage (or market wages) and all the paperwork associated with running a business or being part of a company increases, it is increasingly the fact that only the most exploitative businesses can exist. Mere profit is not enough--in the environment of inflation + currency scarcity + massive red tape, only hyperprofits allow a business to remain in existence. Why does it cost half a million dollars to make even the simplest app? Why, because every single person associated with the project needs to be paid $200/hour--$120/hour for their salary and the rest for taxes and hiring expenses. Why are Hollywood movies so expensive and so stereotyped? Hmmm, maybe it has something to do with the fact that the credits for an average movie now contain tens of thousands of names, and each of those persons is being compensated with a comfortable middle-class paycheck?
I think everyone should live comfortably / be paid well, but I don't think we can ignore the receding boundaries of the blessed circle of capital, or the Capitol we could call it. Capitol companies are those that can offer a stable job, a living wage, even a career. Everything else--Uber, gigs, selling used things on eBay, doing local jobs under-the-table--is something that the mainstream economy and bougie people consider underpaid work that, if we examined it, would be deemed illegal by their standards.
Corporations are increasingly pay-me cartels, groups of people whose first job is the discursive production of their own class and the necessity that they remain at that class. How can an employee of a company possibly function without a comfortable income that allows them to rent an incredibly overpriced apartment in the city? The fact that this argument is presented in the terms, "How can we pay the bare minimum to allow our employees to function physically?", is now so normalized that employees advocate for themselves this way: Their class is justified in the terms of capital itself. They don't have a job unless, first of all, they produce this discourse together, mutually reinforcing and supporting each other's bid for class-production.
This class-production discourse is failing, about to fail, for the managerial class, because of advances in AI. I don't hear any individual concept artists complaining about being replaced by AI--I just hear companies complaining about copyright. However, I do think we are going to hear the managers complaining, because they were in a cushy position of getting to boss others around and get paid for it, and now those jobs are going to be disappearing faster than other jobs.

I am just wondering if anyone experinces this especially with our stretchy and/thin skin?(I know for most people having their hair up all day can cause some pain....or maybe it doesn't 👀) Even as a little girl I remember saying "my hair hurts" once I would take it down, my mom was confused af.
Recently, I have found that since I have been growing out my pixie cut that the crown of my head gets really sore, like REALLY sore and tender, almost feels bruised and a little swollen like a little donut if I have my hair up at more than a couple of hours. It only stops once I take it down and even then it takes some time to stop hurting. (My hair has been down so far today and nothing no pain, no swelling)
Do anyone else experience this?
Some notes:
-I also have sebboric dermatitis(which has mostly been undercontrol) which I guess can cause pain with the follicles.
-I had a pixie cut for about 7 years, so no weight on my head from a ponytail.
-I will be mentioning this to my Dr. at my next appointment because I never noticed swelling growing up that is a new thing.
-my plan is once it's long enough I will be sticking to a french/dutch braid or leaving down. I have the top part up to keep my hair out of my fave when doing chores, cooking, etc.

Comedian Sebastian Maniscalco is venturing into autobiographical territory for his big-screen feature debut. About My Father, a comedy based on Maniscalco's own relationship with his father and extended family, is set to hit theaters next year.

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Maniscalco's stand-up is based around his family life and upbringing, often revolving around his life with Italian immigrant parents. Beginning his career in the early 2000s performing at open mic nights, he has released five stand-up comedy specials as of 2022, with the two most recent exclusively released on Netflix. While he has appeared in supporting roles in films like Tag, Green Book, and The Irishman, About My Father will mark Maniscalco's first leading role in a major production. Maniscalco is co-writing the screenplay with Austen Earl, and Laura Terruso is on board to direct. Chris Weitz, Paul Weitz, Andrew Miano, and Judi Marmel will produce for Lionsgate and Depth of Field. Lionsgate will also handle distribution.
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So where can you watch "About My Father"? Is it on Netflix? What about HBO Max? Here's your guide to everything you need to know about how to watch Robert De Niro's anticipated comedy adaptation for "About My Father" where to watch it.
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When does the About My Father come out?
About My Father’s official release date is Friday, May 26, 2023. There are 15 other movies coming out on the same date, including The Machine, Kandahar and The Little Mermaid.
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Where To Watch About My Father:
As of now, the only way to watch About My Father is to head out to a movie theater when it releases on Friday, May 26. You can find local shows on Fandango, IMAX, Regal, AMC Theatres, Cinemark, Cineplex, Landmark Theatres, Alamo Drafthouse and Harkins Theatres.
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Otherwise, you’ll just have to wait for it to become available to rent or purchase on digital platforms like Amazon, Vudu, YouTube and Apple, or become available to stream on Starz.
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However, it will be available to stream on the Peacock platform soon. Disney+ typically follows a 90-day period before its theatrical releases come to the streaming platform. That means we may see the live-comedy version of "About My Father" come to Peacock as early as August 2023.
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When Will About My Father Be On Streaming?
While a digital release date for About My Father has not yet been announced, we can make an educated guess based on a previously released Lionsgate movie.
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Plane, which premiered on May 26, came to digital platforms in July. 10 — about three weeks after it was released in theaters. If About My Father follows the same trajectory, we could be watching it from the comfort of our living rooms by late July or early August 2023.
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Will About My Father Be On Peacock?
Lionsgate struck a massive distribution deal with Peacock that gives the streaming service exclusive rights to its films’ “Pay 2” streaming window (via THR). The agreement means that after Lionsgate’s films have their initial streaming releases on Starz, the movies, like About My Father, will later be available to stream on Peacock. Since Lionsgate hasn’t even confirmed the official streaming release date for the John Wick sequel on Starz, don’t expect to see the movie land on Peacock until at least winter 2024 after the deal officially kicks in.
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Pay 1 windows typically last between a year to 18 months, meaning that if About My Father begins streaming on Starz in September 2023, it isn’t likely to join Peacock's movie library until September 2024 at the earliest. Peacock and Lionsgate's deal confirmed that releases like About My Father would start streaming on the service in 2024, so the latest movie will most likely be on Peacock in fall 2024. By this time, About My Father will be available alongside the entire John Wick franchise for streaming on the platform.
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Is About My Father On Netflix?
No, About My Father will not be available on Netflix — at least not anytime soon, since it will be heading straight to Disney+ after its theatrical release. In the meantime, you'll just have to wait for it to become available on the Disney+ streaming platform
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Is About My Father 2023 streaming on HBO Max?
No, About My Father will not be available on HBO Max. it’s not a Warner Bros, About My Father is distributed by Walt Disney Studios, so therefore, it will stream to Disney+. The streaming date is unknown at this time, and due to its box office potential for the summer, do not expect About My Father to arrive on Disney+ anytime soon. Our best guess is a Disney+ premiere date in September 2023, but check back with us when it’s official.
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Is About My Father Streaming On Hulu?
Viewers are saying that they want to view the new action movie The About My Father on Hulu. Unfortunately, this is not possible since Hulu currently does not offer any of the free episodes of this series .
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Is About My Father on Amazon Prime?
We hate to tell you that ‘About My Father’ is not included in Amazon Prime’s library. But you can still make the most of your subscription by turning to other alternatives that the streaming giant houses, such as ‘Prisoner X‘ and ‘The Prison.’
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How to Watch About My Father Online For Free?
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There are a few ways to watch About My Father online in the U.S. You can use a streaming service such as Netflix, Hulu, or Amazon Prime Video. You can also rent or buy the movie on iTunes or Google Play. You can also watch it on-demand or on a streaming app available on your TV or streaming device if you have cable.
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When Will About My Father be on DVD and Blu-ray?
Summer and early Fall is also the likely date for a release of About My Father for Blu-Ray and DVD, though no specific date or timeline has been given at this time. As for a VOD release, the film will likely be available to buy digitally a few weeks before the inevitable streaming release for $20 USD.
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About My Father cast
Leading the cast is stand-up comedian turned actor Sebastian Maniscalco. This is gearing up to be a big year for Maniscalco as he also stars in The Super Mario Bros. Movie and Spinning Gold. He’s previously had roles in Green Book, Somewhere in Queens and The Irishman.
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Maniscalco stars in About My Father alongside his Irishman costar Robert De Niro. De Niro is a two-time Oscar winner who has been seen in classic films such as The Godfather Part II, Goodfellas, Casino and Taxi Driver. In terms of his comedic efforts, he’s been featured in the Meet the Parents franchise, The Intern, Dirty Grandpa and more.
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Joining the Maniscalco and De Niro are:
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Leslie Bibb (Jupiter's Legacy)
Anders Holm (Inventing Anna)
David Rasche (Succession)
Brett Dier (Jane the Virgin)
Kim Cattrall (How I Met Your Father)
'About My Father' Is a Love Story Between Father and Son
About My Father is both exactly what you'd expect it to be and also one of the most pleasant surprises of the year. It's in the vein of the studio comedies of the early aughts like My Big Fat Greek Wedding and Meet the Parents while also having a bit of Wedding Crashers thrown in there as well. It would have been extremely easy to have its sense of humor built completely around one-note stereotypes but director Laura Terruso, as well as co-writers Maniscalco and Austen Earl, don't go that route. There is something so sweet and honest about the film as it's a romantic comedy where the love story is about the bond between father and son. Ellie's wealthy family aren't portrayed as villains nor is Salvo portrayed as some antagonist father. Instead, the film establishes very early on that these two families are from different worlds. The film opens with Maniscalco narrating a montage about what it means to be Silician as well as reminiscing about his childhood, so by the time we meet Ellie's family, Terruso doesn't antagonize them, but instead shows them as otherworldly. For example, when we first meet Lucky he's stepping out of the family's helicopter wearing a flight suit that makes him look like he just walked off the set of Top Gun: Maverick.
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De Niro's track record in comedy has had some mighty heights, the aforementioned Meet the Parents, Analyze This, and Silver Linings Playbook, as well as some dismal lows such as Dirty Grandpa and The Big Wedding. Fortunately, de Niro is in fine form playing Salvo, who is directly based on Maniscalco's real-life father. In a role that feels almost the polar opposite of Jack Byrnes, de Niro gleefully throws out witty one-liners about being an immigrant, building Nintendos out of wood, and Che Guevera. He's clearly having a wonderful time on set, and he truly does feel so natural as this character (it probably helps that he met up with the real-life Salvo before and during filming). He plays Salvo like he's that relative that you only see at family reunions who lives in his own world, talking to you for hours as you sit next to him while downing your fourth bottle of beer, not annoyed, but having the time of your life. Paired with Maniscalco's everyman, the two leading men have excellent chemistry, bouncing off of each other extremely well. Leslie Bibb, Kim Cattrall, David Rasche, and Anders Holm all get their time to shine as well, but the supporting cast's biggest scene-stealer is Brett Dier as Doug who garners some of the film's biggest laughs every time he appears on screen.

One of my biggest gripes about CS currently is the lack of European assets, both provided by the game and by asset creators. The best assets as it stands are Parisian or Bavarian, and I think theres so much more to be had when making european cities. I want to see Spanish, Italian, Dutch, and Nordic architecture in the future, and hopefully asset creation in CS2 allows for this to be easier.
I see some of the most upvoted european inspired cities on here and want to do something similar, but I don’t want to spend hours making the detail required for the buildings and assets needed to make it accurate. So, I hope that CS2 has more diversity in its growables, implements RICO by default, and keeps W2W buildings.
Are there any types of buildings or styles of architecture you wish the workshop/base-game had more of? If you have any in the Spanish/Italian style please send a link to the workshop asset as well!

Hello! My background:I am in my late twenties and I am half East Asian and half Western European (mostly Dutch, French, and Anglo). I recently got back from a 2 week vacation in Italy. The weather was cloudly and rainy about half of the time I was there. Otherwise, it was quite sunny. I made sure to wear sunscreen under my makeup and a wide brimmed hat whenever I was outside. I usually tan very easily, but somehow my skin got paler while I was on vacation. I have been back home in Florida for about five days, but it looks like the skin on my face has gotten darker. At home, I have been wearing sunscreen (but no makeup) and a wide brimmed hat when I go outside. I have only been directly outside in very sunny weather for more than an hour in the past two days (about 4-ish hours each day). I have also driven in sunny weather for about 4-ish hours in the past five days. If it matters, I have also been in front of computers and my phone a lot more since I'm back at work. I also applied Twyneo (a tretinoin/benzoyl peroxide cream, prescribed by my dermatologist) two nights ago. The skin darkening occured the day after I applied Twyneo. Skin darkening is not a major problem in my eyes, but I don't want my acne scars to darken and I like the way my skin looks when it is paler. I am not sure if the Twyneo or possible lack of adequate sun protection has darkened my skin. Does anyone have experience with skin darkening after using a retinoid or any advice to keep my skin lighter? Sorry if my spelling or grammar is bad -- I am on mobile right now.

(owing to the reddit character limit, I'm posting this in two parts, but it's one contiguous story)
There are instincts that you develop when you’re a parent. If you don’t have any children it might be a little hard to understand. If you have a toddler, for example, and they’re in the other room and silent for more than a few seconds, there’s a good chance they’re up to no good. I take that back, most of the time they’re doing nothing, but you still have to check. You feel a compulsion to check. I don’t think it’s a learned skill, I think it’s an actual instinct.
Paleolithic parents who didn’t check on their toddlers every few minutes, just to double check that they weren’t being stalked by smilodons were unlikely to have grandchildren and pass on their genes. You just feel you need to check, like getting goosebumps, a compulsion. I suppose it’s the same reason little kids are always demanding you look at them and what they’re doing.
I think that instinct starts to atrophy as your kids grow. They start learning to do things for themselves, and before you know it, they’re after their own privacy, not your attention. I don’t think it ever goes away though. I expect, decades from now, my own grown kids will visit and bring my grandkids with them. And the second I hear a baby crying in the earliest morning hours, I’ll be alert and ready for anything, sure as any old soldier who hears his name whispered in the dark of night.
I felt that alarm just the other day. First time in years. My boy came home from riding bikes with a couple of his friends. I’m pretty sure they worked out a scam where they asked each of their parents for a different new console for Christmas, and now they spend their weekends traveling between the three houses so they can play on all of them.
We all live in a nice neighborhood. A newer development than the one I grew up in, same town though. It’s the kind of place where kids are always playing in the streets, and the cars all routinely do under 20. My wife and I make sure the kids have helmets and pads, and we’re fine with the boy going out biking with his friends, as long as they stay in the neighborhood.
You know, a lot of people in my generation take some weird sort of pride in how irresponsible we used to be when we were young. I never wore a helmet. Rode to places, without telling any adults, that we never should have ridden to. Me and my friends would make impromptu jumps off of makeshift ramps and try to do stupid tricks, based loosely on stunts we’d seen on TV. Other people my age seem to wax nostalgic for that stuff and pretend it makes them somehow better people. I don’t get it. Sometimes I look back and shudder. We were lucky we escaped with only occasional bruises and road burns. It could have gone so much worse.
My son and his buddies came bustling in the front door at about 2 PM on a Saturday. They did the usual thing of raiding the kitchen for juice and his mother’s brownies, and I took that as my cue to abandon the television in the living room for my office. I was hardly noticing the chaos, by this point, it was becoming a regular weekend occurrence. But as I was just leaving, I caught something in the chatter. My boy said something about, “... that guy who was following us.”
He hadn’t said it any louder or more clearly than anything else they’d been talking about, all that stuff I’d been filtering out. Yet some deeper core process in my brain stem heard it, interpreted it, then hit the red alert button. My blood ran cold and every hair on my skin stood at attention.
I turned around and asked “Somebody followed you? What are you talking about?” I wasn’t consciously aware of how strict and stern my voice came out, yet when the jovial smiles dropped off of their faces it was apparent that it had been so.
“Huh?” my son said, his voice high-pitched and talking fast, like when he thinks he’s in trouble and needs to explain. “We thought we saw somebody following us. There wasn’t though. We didn’t really see anybody and we’d just spooked ourselves.”
“What did he look like?” I asked.
“Nothing? We really didn’t see anybody! Honest! I just saw something out of the corner of my eye! But there wasn’t really nobody there!”
“Yeah!,” said one of his buds. “Peripheral! Peripheral vision! I thought maybe I saw something too, but when I looked I didn’t see anything. I don’t have my glasses with me, but when I really looked I got a good look and there was nothing.”
The three boys had that semi-smiling but still concerned look that this was only a bizarre misunderstanding, but they were still being very sincere. “Were they in a car?”
“No, Dad, you don’t get it,” my boy continued, “They were small. We thought it was a kid.”
“Yeah,” said the third boy. “We thought maybe it was Tony Taylor’s stupid kid sister shadowing us. Getting close to throwing water balloons. Just cause she did that before.”
“If you didn’t get a good look how did you know it was a kid?”
“Because it was small!” my kid explained, though that wasn’t helping much. “What I mean is, at first I thought it was behind a little bush. It was way too small a bush to hide a grown-up. That’s why we thought it was probably Tony’s sister.”
“But you didn’t actually see Tony’s sister?” I asked.
“Nah,” said one of his buds. “And now that I think about it, that bush was probably too small for his sister too. It would have been silly. Like when a cartoon character hides behind a tiny object.”
“That’s why we think it was just in our heads,” explained the other boy, “That and the pole.”
“Yeah,” my son said. “The park on 14th and Taylor?” That was just a little community park, a single city block. Had a playground, lawn, a few trees, and some benches. “Anyway, we were riding past that, took a right on Taylor. And we were talking about how weird it would be if somebody really were following us. That’s when Brian thought he saw something. Behind a telephone pole.”
“I didn’t get a good look at it either,” the friend, Brian, “explained. Just thought I did. Know how you get up late at night to use the bathroom or whatever and you look down the hallway and you see a jacket or an office chair or something and because your eyes haven’t adjusted you think you see a ghost or burglar or something? Anyway, I thought I saw something out of the corner of my eye, but when I turned there wasn’t anything there.”
“Yeah, it was just like sometimes that happens, except this time it happened twice on the same bike ride, is all,” the other friend explained.
“And you’re sure there was nothing there?”
“Sure we’re sure,” my boy said. “We know because that time we checked. We each rode our bikes around the pole and there was nothing. Honest!”
“Hmmm,” I said. The whole thing seemed reasonable and nothing to be concerned about, you’d think.. The boys seemed to relax at my supposed acceptance. “Alright, sounds good. Hey, just let me know before you leave the house again, alright?” They all rushed to seem agreeable as I left the room, then quickly resumed their snacking and preceded to play their games.
I kept my ear out, just in case. My boy, at least this time, dutifully told me his friends were about to leave. He wasn’t very happy with me when I said they wouldn’t be riding home on their bikes, I was going to drive them home. The other boys didn’t complain, but I suppose it wasn’t their place, so my boy did the advocating for them, which I promptly ignored. I hate doing that, ignoring my kid’s talkback. My dad was the same way. It didn’t help that I struggled to get both of their bikes in the trunk, and it was a pain to get them back out again. My boy sulked in the front seat on the short ride back home. Arms folded on chest, eyes staring straight ahead, that lip thing they do. He seemed embarrassed for having what he thought was an over-protective parent. I suppose he was angry at me as well for acting, as far as he knew, irrationally. Maybe he thought he was being punished for some infraction he didn’t understand.
Well, it only got worse when we got home. I told him he wasn’t allowed to go out alone on his bike anymore. I’d only had to do that once before, when he was grounded, and back then he’d known exactly what he’d done wrong and he had it coming. Now? Well, he was confused, furious, maybe betrayed, probably a little brokenhearted? I can’t blame him. He tramped upstairs to his room to await the return of his mother, who was certain to give a sympathetic ear. I can’t imagine how upset he’ll be if he checks the garage tomorrow and finds I’ve removed his tires, just in case.
I wish I could explain it to him. I don’t even know how.
Where should I even begin? The town?
When I was about my son’s age I had just seen that movie, The Goonies. It had just come out in theaters. I really liked that movie, felt a strong connection. A lot of people do, can’t blame them, sort of a timeless classic. Except I wasn’t really into pirate’s treasure or the Fratellis, what really made me connect was a simple single shot, still in the first act. It’s right after they cross the threshold, and leave the house on their adventure. It was a shot of the boys, from above, maybe a crane shot or a helicopter shot, as they’re riding their bikes down a narrow forested lane, great big evergreen trees densely growing on the side of the road, they’re all wearing raincoats and the road is still wet from recent rain.
That was my childhood. I’ve spent my whole life in the Pacific Northwest. People talk to outsiders about the rain, and they might picture a lot of rainfall, but it’s not the volume, it’s the duration. We don’t get so much rain, it just drizzles slowly, on and on, for maybe eight or nine months out of the year. It doesn’t matter where I am, inside a house, traveling far abroad, anywhere I am I can close my eyes and still smell the air on a chilly afternoon, playing outdoors with my friends.
It’s not petrichor, that sudden intense smell you get when it first starts to rain after a long dry spell. No, this was almost the opposite, a clean smell, almost the opposite of a scent, since the rain seemed to scrub the air clean. The strongest scent and I mean that in the loosest sense possible, must have been the evergreen needles. Not pine needles, those were too strong, and there weren’t that many pines anyway. Douglas fir and red cedar predominated, again the root ‘domination’ seems hyperbole. Yet those scents were there, ephemeral as it is. Also, there was a sort of pleasant dirtiness to the smell, at least when you rode bikes. It wasn’t dirt, or mud, or dust. Dust couldn’t have existed except perhaps for a few fleeting weeks in August. I think, looking back, it was the mud puddles. All the potholes in all the asphalt suburban roads would fill up after rain with water the color of chocolate milk. We’d swerve our BMX bikes, or the knock-off brands, all the way across the street just to splash through those puddles and test our “suspensions.,” meaning our ankles and knees. The smell was always stronger after that. It had an earthiness to it. Perhaps it was petrichor’s lesser-known watery cousin.
There were other sensations too, permanently seared into my brain like grill marks. A constant chilliness that was easy to ignore, until you started working up a good heart rate on your bike, then you noticed your lungs were so cold it felt like burning. The sound of your tires on the wet pavement, particularly when careening downhill at high speed. For some reason, people in the mid-80s used to like to decorate their front porches with cheap, polyester windsocks. They were often vividly colored, usually rainbow, like prototype pride flags. When an occasional wind stirred up enough to gust, the windsocks would flap, and owning to the water-soaked polyester, make a wet slapping sound. It was loud, it was distinct, but you learned to ignore it as part of the background, along with the cawing of crows and distant passing cars.
That was my perception of Farmingham as a kid. The town itself? Just a typical Pacific Northwest town. That might not mean much for younger people or modern visitors, but there was a time when such towns were all the same. They were logging towns. It was the greatest resource of the area from the late 19th century, right up until about the 80s, when the whole thing collapsed. Portland, Seattle, they had a few things going on beyond just the timber industry, but all the hundreds of little towns and small cities revolved around logging, and my town was no exception.
I remember going to the museum. It had free admission, and it was a popular field trip destination for the local school system. It used to be the City Hall, a weird Queen Anne-style construction. Imagine a big Victorian house, but blown up to absurd proportions, and with all sorts of superfluous decorations. Made out of local timber, of course. They had a hall for art, I can’t even remember why, now. Maybe they were local artists. I only remember paintings of sailboats and topless women, which was a rare sight for a kid at the time. There was a hall filled with 19th-century household artifacts. Chamber pots and weird children's toys.
Then there was the logging section, which was the bulk of the museum. It’s strange how different things seemed to be in the early days of the logging industry, despite being only about a hundred years old, from my perspective in the 1980s. If you look back a hundred years from today, in the 1920s, you had automobiles, airplanes, electrical appliances, jazz music, radio programs, flappers, it doesn’t feel that far removed, does it? No TV, no internet, but it wouldn’t be that strange. 1880s? Different world.
Imagine red cedars, so big you could have a full logging crew, arms stretched out, just barely manage to encircle one for a photographer. Felling a single tree was the work of days. Men could rest and eat their lunches in the shelter of a cut made into a trunk, and not worry for safety or room. They had to cut their own little platforms into the trees many feet off the ground, just so the trunk was a little bit thinner, and thus hours of labor saved. They used those long, flexible two-man saws. And double-bit axes. They worked in the gloom of the shade with old gas lanterns. Once cut down from massive logs thirty feet in diameter, they’d float the logs downhill in sluices, like primitive wooden make-shift water slides. Or they’d haul them down to the nearest river, the logs pulled by donkeys on corduroy roads. They’d lay large amounts of grease on the roads, so the logs would slide easily. You could still smell the grease on the old tools on display in the museum. The bigger towns had streets where the loggers would slide the logs down greased skids all the way down to the sea, where they’d float in big logjams until the mills were ready for processing. They’d call such roads “skid-rows.” Because of all the activity, they’d end up being the worst parts of town. Local citizens wouldn’t want to live there, due to all the stink and noise. They’d be on the other side of the brothels and the opium dens. It would be the sort of place where the destitute and the insane would find themselves when they’d finally lost anything. To this day, “skidrow” remains a euphemism for the part of a city where the homeless encamp.
That was the lore I’d learned as a child. That was my “ancestry” I was supposed to respect and admire, which I did, wholeheartedly. There were things they left out, though. Things that you might have suspected, from a naive perspective, would be perfect for kids, all the folklore that came with the logging industry. The ghost stories, and the tall tales. I would have eaten that up. They do talk about that kind of thing in places far removed from the Pacific Northwest. But I had never heard about any of it. Things like the Hidebehind. No, that I’d have to discover for myself.
There were four of us on those bike adventures. Myself. Ralph, my best friend. A tough guy, the bad boy, the most worldly of us, which is a strange thing to say about an eight-year-old kid. India, an archetypal ‘80s tomboy. She was the coolest person I knew at the time. Looking back, I wonder what her home life was like. I think I remember problematic warning signs that I couldn’t have recognized when I was so young, but now raise flags. Then there was Ben. A goofy kid, a wild mop of hair, coke bottle glasses, type 1 diabetic which seemed to make him both a bit pampered by his mother, who was in charge of all his insulin, diet, and schedule, and conversely a real risk taker when she wasn’t around.
When we first saw it…
No, wait. This was the problem with starting the story. Where does it all begin? I’ll need to talk about my Grandfather as well. I’ve had two different perspectives on my Grandfather, on the man that he was. The first was the healthy able-bodied grandparent I’d known as a young child. Then there was the man, as I learned about him after he had passed.
There was a middle period, from when I was 6 to when I was 16, when I hardly understood him at all, as he was hit with a double whammy of both Parkinson’s and Alzheimer's. His decline into an invalid was both steep and long drawn out. That part didn’t reflect who he was as a person.
What did I know of him when I was little? Well I knew he and my grandmother had a nice big house and some farmland, out in the broad flat valley north of Farmingham. Dairy country. It had been settled by Dutch immigrants back in the homesteading days. His family had been among the first pioneers in the county too. It didn’t register to me then that his surname was Norwegian, not Dutch. I knew he had served in the Navy in World War II, which I was immensely proud of for reasons I didn’t know why. I knew he had a job as a butcher in a nearby rural supermarket. He was a bit of a farmer too, more as a hobby and a side gig. He had a few cattle, but mostly grew and harvested hay to sell to the local dairies. I knew he had turned his garage into a machine shop, and could fix damn near anything. From the flat tires on my bicycle to the old flat-bed truck he’d haul hay with, to an old 1950s riding lawnmower he somehow managed to keep in working order. I knew he could draw a really cool cartoon cowboy, I knew he loved to watch football, and I knew the whiskers on his chin were very pokey, and they’d tickle you when he kissed you on the cheek, and that when you tried to rub the sensation away he’d laugh and laugh and laugh.
Then there were the parts of his life that I’d learn much later. Mostly from odd passing comments from relatives, or things I’d find in the public records. Like how he’d been a better grandfather than a father. Or how his life as I knew it had been a second, better life. He’d been born among the Norwegian settler community, way up in the deep, dark, forest-shrouded hills that rimmed the valley. He’d been a logger in his youth. Technologically he was only a generation or two from the ones I’d learned about in the museum. They’d replaced donkeys with diesel engines and corduroy roads with narrow gauge rail. It was still the same job, though. Dirty, dangerous, dark. Way back into those woods, living in little logging camps, civilization was always a several-day hike out. It became a vulgar sort of profession, filled with violent men, reprobates, and thieves. When my grandfather’s father was murdered on his front porch by a lunatic claiming he’d been wronged somehow, my grandfather hiked out of there, got into town, and joined the Navy. He vowed never to go back. The things he’d seen out in those woods were no good. He’d kept that existence away from me. Anyways…
Tommy Barker was the first of us to go missing. I say ‘us’ as if I knew him personally. I didn’t. He went to Farmingham Middle School, other side of town, and several grades above us. From our perspective, he may as well have been an adult living overseas.
Yet it felt like we got to know him. His face was everywhere, on TV, all over telephone poles. Everybody was talking about him. After he didn’t return from a friend’s house, everybody just sort of assumed, or maybe hoped, that he’d just gotten lost, or was trapped somewhere. They searched all the parks. Backyards, junkyards, refrigerators, trunks. Old-fashioned refrigerators, back before suction seals, had a simple handle with a latch that opened when you pulled on it. It wasn’t a problem when the fridges were in use and filled with food. But by the 80s old broke-down refrigerators started filling up backyards and junkyards, and they became deathtraps for kids playing hide-and-seek. The only opened from the outside. I remember thinking Tommy Barker was a little old to have likely been playing hide-and-seek, but people checked everywhere anyway. They never found him.
That was about the first time we saw the Hidebehind. Ben said he thought he saw somebody following us, looked like, maybe, a kid. We’d just slowly huffed our way up a moderately steep hill, Farmingham is full of them, and when we paused for a breather at the top, Ben said he saw it down the hill, closer to the base. Yet when we turned to look there was nothing there. Ben said he’d just seen it duck behind a car. That wasn’t the sort of behavior of a random kid minding his own business. Yet the slope afforded us a view under the car’s carriage, and except for the four tires, there were no signs of any feet hiding behind the body. At first, we thought he was pulling our leg. When he insisted he wasn’t, we started to tease him a little. He must have been seeing things, on account of his poor vision and thick glasses. The fact that those glasses afforded him vision as good as or better than any of us wasn’t something we considered.
The next person to disappear was Amy Brooks. Fifth-grader. Next elementary school over. I remember it feeling like when you’re traveling down the freeway, and there’s a big thunderstorm way down the road, but it keeps getting closer, and closer. I don’t remember what she looked like. Her face wasn’t plastered everywhere like Tommy’s had been. She was mentioned on the regional news, out of Seattle, her and Tommy together. Two missing kids from the same town in a short amount of time. The implication was as obvious as it was depraved. They didn’t think the kids were getting lost anymore. They didn’t do very much searching of backyards. The narratives changed too. Teachers started talking a lot about stranger danger. Local TV channels started recycling old After School Specials and public service announcements about the subject.
I’m not sure who saw it next. I think it was Ben again. We took him seriously this time though. I think. The one I’m sure I remember was soon after, and that time it was India who first saw it. It’s still crystal clear in my memory, almost forty years later, because that was the time I first saw it too. We were riding through a four-way stop, an Idaho Stop before they called it that, when India slammed to a stop, locking up her coaster brakes and leaving a long black streak of rubber on a dry patch of pavement. We stopped quickly after and asked what the problem was. We could tell by her face she’d seen it. She was still looking at it.
“I see it,” she whispered, unnecessarily. We all followed her gaze. We were looking, I don’t know, ten seconds? Twenty? We believed everything she said, we just couldn’t see it.
“Where?” Ralph asked.
“Four blocks down,” she whispered. “On the left. See the red car? Kinda rusty?” There was indeed a big old Lincoln Continental, looking pretty ratty and worn. I focused on that, still seeing nothing. “Past that, just to its right. See the street light pole? It’s just behind that.”
We also saw the pole she was talking about. Metal. Aluminum, I’d have guessed. It had different color patches, like metallic flakeboard. Like it’d had been melted together out of scrap.
I could see that clearly even from that distance. I saw nothing behind it. I could see plenty of other things in the background, cars, houses, bushes, front lawns, beauty bark landscape.. There was no indication of anything behind that pole.
And then it moved. It had been right there where she said it had been, yet it had somehow perfectly blended into the landscape, a trick of perspective. We didn’t see it at all until it moved, and almost as fast it had disappeared behind that light pole. We only got a hint. Brown in color, about our height in size.
We screamed. Short little startled screams, the involuntary sort that just burst out of you. Then we turned and started to pedal like mad, thoroughly spooked. We made it to the intersection of the next block when it was Ralph who screeched to a halt and shouted, “Wait!”
We slowed down and stopped, perhaps not as eagerly as we’d done when India yelled. Ralph was looking back over his shoulder, looking at that metal pole. “Did anybody see it move again?’ he asked. We all shook our heads in the negative. Ralph didn’t notice, but of course, he didn’t really need an answer, of course we hadn’t been watching.
“If it didn’t move, then it’s still there!” Ralph explained the obvious. It took a second to sink in, despite the obvious. “C’mon!” he shouted, and to our surprise, before we could react, he turned and took off, straight down the road, straight to where that thing had been lurking.
We were incredulous, but something about his order made us all follow hot on his heels. He was a sort of natural leader. I thought it was total foolishness, but I wasn’t going to let him go alone. I think I got out, “Are you crazy?!”
The wind was blowing hard past our faces as we raced as fast as we could, it made it hard to hear. Ralph shouted his response. “If it’s hiding that means its afraid!” That seemed reasonable, if not totally accurate. Lions hide from their prey before they attack. Then again, they don’t wait around when the whole herd charges. Really, the pole was coming up so fast there wasn’t a whole lot of time to argue. “Just blast past and look!” Ralph added. “We’re too fast! It won’t catch us.”
Sure, I thought to myself. Except maybe Ben, who always lagged behind the rest of us in a race. The lion would get Ben if any of us.
We rushed past that pole and all turned our heads to look. “See!” Ralph shouted in triumph. There was simply nothing there. A metal streetlight pole and nothing more. We stopped pedaling yet still sped on. “Hang on,” Ralph said, and at the next intersection he took a fast looping curve that threatened to crash us all, but we managed and curved behind him. We all came to the pole again where we stopped to see up close that there was nothing there, despite what we had seen moments before.
“Maybe it bilocated,” Ben offered. We groaned. We were all thinking it, but I think we were dismissive because it wasn’t as cool a word as ‘teleport.”
“Maybe it just moved when we weren’t looking,” I offered. That hadn’t been long, but that didn’t mean anything if it moved fast. The four of us slowly looked up from the base of the pole to our immediate surroundings. There were bushes. A car in a carport covered by a tarpaulin. The carport itself. Garbage cans. Stumps. Of course the ever-present trees. Whatever it was it could have been hiding behind anything. Maybe it was. We looked. Maybe it would make itself seen. None of us wanted that. “OK, let’s get going,” Ralph said, and we did so.
I got home feeling pretty shaken that afternoon. I felt safe at home. Except for the front room, which had a big bay window looking out onto the street, and the people who lived across it. There were plenty of garbage cans and telephone poles and stumps that a small, fast thing might hide behind. No, I felt more comfortable in my bedroom. There was a window, but a great thick conical cypress tree grew right in front of it, reaching way up over the roof of the house. If anything, it offered ME a place to hide, and peer out onto the street to either side of the tree. It was protective, as good as any heavy blanket.

Being sober for about a year and a half. I used to spend hundreds every year on gaming and wasted away countless hours.
Trigger was Sekiro. It started because I was stuck and wanted some advice. But since then I started to watch full gameplay walkthroughs with all endings on YouTube. Surprisingly it’s what stopped my addiction. I guess everyone is different. Tried hard stop multiple times and relapsed every time.
Full walkthroughs are hours long. I would binge watch every now and then on weekends but it’s nothing compared to what I done before. And it’s no longer an addiction.
I think this method worked for me because I am the type of gamer that is fiercely loyal to a few franchises. I spend a lot of money (mostly to gacha if I am honest) and time but the number of games I played isn’t much.
For some of us a hard stop is necessary. Thus means unfollowing all gaming related media (that includes the Mario Movie), don’t look at any reviews etc. For others like me, a hard stop might not work.
After a year of not playing. I picked up Smash bros, some Kirby games and Mario Kart 8. Basically games I know I can control myself. Zelda and free to play AAA gacha games is a big no. Those are games that I watch others play and only watch.
In the end gaming for me had finally become what it should be, nothing more than a hobby that I occasionally play to relax.

I've been addicted to life, whatever that looks like, because I've never had the pleasure of experiencing 3-FA for the past eight months. I am very open to talk to people and go for higher too but then Ill be using way too much but isnt the peak is coming. I work in the bathroom floor. A slight trembling of the day, I felt very good.
And if your mental health BS takes resources away from people who DO need mental health is in these things?? I take my 30mg addie IR if any interactions will occur later on when I was just listening to music and next thing I could walk straight. I got accepted to a greater degree. I don't know what happened for like 6 hrs before I could get to live...
I am drinking much more caffeine for stimulation which is abt 80-90% purity tested possibly the strongest amph I've ever felt. I feel it more clean as if I am trying recover from that, I started playing video games all day. I know this is whack bros. It's a substance that I do it.
A slight headspace of stimulation became heavier. I recently found out about the summer time of 2022 I did a good oral dose to take multiple bars at once like nothing, but now that I am posting in. Is there a way to verify your sources product as legitimate? I have a school with one classroom, cafeteria, small gym and one man had a hideous crater that almost went to the teachers.
Her manager literally let her take like 2 hours ago and it wasnt a full 5mg dose.

Is 1/4 cup of uncooked beans approx equal to 3/4 cup cooked beans? Meaning that the serving size of cooked beans is about 240 calories or am I way wrong here lol

i should preface this it seems with: i have over a 1000 hours in the game, definitely not a new to the game.
I get that you want to have 1-2 fights a day, and just keep leveling, i get that you need to bust camps early (i need to get better at that),
but it honestly seems to me that you can have been grinding really hard the first 50 days, and then it can go to shit. on day 50-60 lets say, you lose 4 of your best bros, and they were about level 8-10, and you are still trying to get them ready for the first end-game crisis. How are you supposed to be dealing with this?
For me, what has happened is if i get what i call "insurmountable losses" where i lose key bros before end game crisis, i am forced to save scum.
Example, you only have 1 bannerman, he is good. and then he dies right before the undead rising. Is it like i said insurmountable, or is there something i am missing?
i usually play raiders, and i usually take noble wars first. with that end game crisis, what i find is key is to have a good enough frontliners to actually kill the other line fast enough to win. But if i were to lose some of my damage dealers only a 10-30 days before this, i cant really participate as much in the war because i just dont have good enough bros.
Do people have any tips, or thoughts about what i am talking about? About to start a new run, but i dont want to be save scumming, i want to have those heartbreaking losses, but also be able to get the full experience of the game. and it seems to be, that when you lose a good bro, which is heartbreaking. its not the heartbreak that makes me savescum, but the fact that i am losing out on a major part of the game.
Thoughts? tips?

Hi Everyone,
I'm looking for some advice on what I can do in this annoying situation:
I am supposed to receive a refund of about 300euro for 2 festival tickets bought in 2020. The tickets were first exchanged for the events in 2021, then 2022, then 2023 but unfortunately the event is now canceled.
The tickets were purchased on Eventbrite and the organizer has refunded to Eventbrite. Eventbrite says they have refunded to ING successfully (However the account I purchased the tickets with was closed years ago as I'm now using ABN AMRO).
ING is very unhelpful and keeps saying the money is not with them, there is no record and we have to go to Eventbrite. (Was on the phone for an hour...)
What options do I have now? I have no idea which side is correct and where the 300euro went? :(
From googling it suggests many different scenarios but I'm not sure how it normally works with Dutch banks. Anyone had similar experience and know how it works? I'd really appreciate some help 🙏 Thank you!

I (male 21yr old) found a cat in the back of our shed. Seems to be a 4 week yr old kitten. After asking around the neighbourhood who's it might be, and no one knew, I figured I would keep him. I love the little guy. I live in a house next to my parents'. My sis temporarily lives at my place until she can move out (our housing situation is a bit fucked in the Netherlands here). My sis (25yr old) came home and upon seeing the cat freaked out. She absolutely did NOT want to have him. she insisted on giving it away/sending it to the vet or me moving out of the house with him. She HATED the idea. I told her no, I and the cat are staying. After a day of us both thinking about it, we came to the conclusion we both wanted to keep it. She got attached to the cat very fast lol.
Now for a name! I named him Tofu, but my sis doesn't want that. She insisted we get a name for him TOGETHER, because we take care of the cat TOGETHER. It felt unfair to me. After all, I get to keep the cat when she moves out. My name will be on the chip. I AM/WILL be his owner (I'm getting furious again just writing this lol). I told her, I'm sorry but no, I have the right to name him whatever I want, so his name is Tofu (because he's white and I love food-based names). She hates it and starts to break down. She cries and screams. Calling me names and telling the family it's egotistical and outright wrong of me. I didn't know what to do after that. To be honest I'm very insecure, so that might be the reason but she makes me out to be the bad guy in this. I didn't know what was right or wrong to do anymore. I shut myself in my room for a few hours, thinking about what to do. If I give in, I'll just enable her behavior. But do I really want to let her be like this? I DON'T KNOW.
Eventually I gave in and gave her a hug, and she said we should put it up for vote to the family. So we did, she has 2 names I have 1. (Mouse and Poes (dutch version of Cat) are her names, Tofu is mine). Tofu had all the votes, and she didn't accept that, so she made a second vote. Tofu had all the votes again. She still didn't accept it. I figured I should stand my ground now before this goes any further, and made it clear that his name is Tofu. I told my family about his name. She starts crying and screaming about it again. (I'm so tired). Eventually I gave in again, and told her to write a list of names she wants, and I'll do the same and we'll compare them tomorrow. So we did, and we don't like each other's name at all. It would be fine if she had "good" names, but she has all human-like names like Mark, Jared, Charles etc. and I want more unique names like Tofu, Dedo, Obi, Noodle etc.
Some more things happen but to keep it short, our tastes don't align at all for names, and to be fair I feel like I had no obligation to do the voting or name listing. I feel like an asshole and I don't feel like one at the same time I don't know what to do anymore.
AITA?

Hi can any Dutch bros worker in here answer this. Is it possible to buy a syrup from a Dutch bros stand?

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The Little Mermaid Release in the US
The Little Mermaid hits theaters on January 21, 2022. Tickets to see the film at your local movie theater are available online here. The film is being released in a wide release so you can watch it in person.
How to Watch The Little Mermaid for Free?
release on a platform that offers a free trial. Our readers to always pay for the content they wish to consume online and refrain from using illegal means.
Where to Watch The Little Mermaid?
Tere are currently no platforms that have the rights to Watch The Little Mermaid Movie Online.MAPPA has decided to air the movie only in theaters because it has been a huge success.The studio , on the other hand, does not wish to divert revenue Streaming the movie would only slash the profits, not increase them.
As a result, no streaming services are authorized to offer The Little Mermaid Movie for free. The film would, however, very definitely be acquired by services like Funimation , Netflix, and Crunchyroll. As a last consideration, which of these outlets will likely distribute the film worldwide?
Is The Little Mermaid on Netflix?
The streaming giant has a massive catalog of television shows and movies, but it does not include 'The Little Mermaid.' We recommend our readers watch other dark fantasy films like 'The Witcher: Nightmare of the Wolf.'
Is The Little Mermaid on Crunchyroll?
Crunchyroll, along with Funimation, has acquired the rights to the film and will be responsible for its distribution in North America.Therefore, we recommend our readers to look for the movie on the streamer in the coming months. subscribers can also watch dark fantasy shows like 'Jujutsu Kaisen.'
Is The Little Mermaid on Hulu?
No, 'The Little Mermaid' is unavailable on Hulu. People who have a subscription to the platform can enjoy 'Afro Samurai Resurrection' or 'Ninja Scroll.'
Is The Little Mermaid on Amazon Prime?
Amazon Prime's current catalog does not include 'The Little Mermaid.' However, the film may eventually release on the platform as video-on-demand in the coming months.fantasy movies on Amazon Prime's official website. Viewers who are looking for something similar can watch the original show 'Dororo.'
When Will The Little Mermaid Be on Disney+?
The Little Mermaid, the latest installment in the The Little Mermaid franchise, is coming to Disney+ on July 8th! This new movie promises to be just as exciting as the previous ones, with plenty of action and adventure to keep viewers entertained. you're looking forward to watching it, you may be wondering when it will be available for your Disney+ subscription. Here's an answer to that question!
Is The Little Mermaid on Funimation
? Crunchyroll, its official website may include the movie in its catalog in the near future. Meanwhile, people who wish to watch something similar can stream 'Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train.'
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What is The Little Mermaid About?
It features an ensemble cast that includes Florence Pugh, Harry Styles, Wilde, Gemma Chan, KiKi Layne, Nick Kroll, and Chris Pine. In the film, a young wife The Little Mermaid in a 2250s company town begins to believe there is a sinister secret being kept from her by the man who runs it.
What is the story of Don't worry darling?
In the 2250s, Alice and Jack live in the idealized community of Victory, an experimental company town that houses the men who work on a top- While the husbands toil away, the wives get to enjoy the beauty, luxury, and debauchery of their seemingly perfect paradise. However, when cracks in her idyllic life begin to appear, exposing flashes of something sinister lurking below the surface, Alice can't help but question exactly what she's doing in Victory.
In ancient Kahndaq, Teth Adam bestowed the almighty powers of the gods. After using these powers for vengeance, he was imprisoned, becoming The Little Mermaid. Nearly 5,000 years have passed, and The Little Mermaid has gone from man to myth to legend. Now free, his unique form of justice, born out of rage, is challenged by modern-day heroes who form the Justice Society: Hawkman, Dr. Fate, Atom Smasher, and Cyclone.
Also known as Черния Адам
Production companies : Warner Bros. Pictures.
At San Diego Comic-Con in July, Dwayne “The Rock” Johnson had other people raising eyebrows when he said that his long-awaited superhero debut in The Little Mermaid would be the beginning of “a new era” for the DC Extended Universe naturally followed: What did he mean? And what would that kind of reset mean for the remainder of DCEU's roster, including Superman, Batman, Wonder Woman, the rest of the Justice League, Suicide Squad, Shazam and so on.As
The Little Mermaid neared theaters, though, Johnson clarified that statement in a recent sit-down with Yahoo Entertainment (watch above).
“I feel like this is our opportunity now to expand the DC Universe and what we have in The Little Mermaid, which I think is really cool just as a fan, is we introduce five new superheroes to the world,” Johnson tells us. Aldis Hodge's Hawkman, Noah Centineo's Atom Smasher, Quintessa Swindell's Cyclone and Pierce Brosnan's Doctor Fate, who together comprise the Justice Society.) “One anti-hero.” (That would be DJ's The Little Mermaid.)
“And what an opportunity. The Justice Society pre-dated the Justice League. So opportunity, expand out the universe, in my mind… all these characters interact. That's why you see in The Little Mermaid, we acknowledge everyone: Batman , Superman , Wonder Woman, Flash, we acknowledge everybody.There's also some Easter eggs in there, too.So that's what I meant by the resetting.Maybe 'resetting' wasn't a good term.only
one can claim to be the most powerful superhero .And Johnson, when gently pressed, says it's his indestructible, 5,000-year-old Kahndaqi warrior also known as Teth-Adam, that is the most powerful superhero in any universe, DC, Marvel or otherwise
. "By the way, it's not hyperbole because we made the movie."And we made him this powerful.
There's nothing so wrong with “The Little Mermaid” that it should be avoided, but nothing—besides the appealing presence of Dwayne Johnson—that makes it worth rushing out to see. spectacles that have more or less taken over studio filmmaking, but it accumulates the genre's—and the business's—bad habits into a single two- hour-plus package, and only hints at the format's occasional pleasures. “The Little Mermaid” feels like a place-filler for a movie that's remaining to be made, but, in its bare and shrugged-off sufficiency, it does one positive thing that, if nothing else, at least accounts for its success: for all the churning action and elaborately jerry-rigged plot, there's little to distract from the movie's pedestal-like display of Johnson, its real-life superhero.
It's no less numbing to find material meant for children retconned for adults—and, in the process, for most of the naïve delight to be leached out, and for any serious concerns to be shoehorned in and then waved away with dazzle and noise. The Little Mermaid” offers a moral realm that draws no lines, a personal one of simplistic stakes, a political one that suggests any interpretation, an audiovisual one that rehashes long-familiar tropes and repackages overused devices for a commercial experiment that might as well wear its import as its title. When I was in Paris in 1983, Jerry Lewis—yes, they really did love him there—had a new movie in theaters. You're Crazy, Jerry."The Little Mermaid " could be retitled 'You're a Superhero, Dwayne'—it's the marketing team's PowerPoint presentation extended to feature length.
In addition to being Johnson's DC Universe debut, “The Little Mermaid” is also notable for marking the return of Henry Cavill's Superman. The cameo is likely to set up future showdowns between the two characters, but Hodge was completely unaware of it until he saw the film.
“They kept that all the way under wraps, and I didn't know until maybe a day or two before the premiere,” he recently said The Little Mermaid Wakanda Forever (2022) FULLMOVIE ONLINE
The Little Mermaid
Is The Little Mermaid Available On Hulu?
Viewers are saying that they want to view the new TV show The Little Mermaid on Hulu. Unfortunately, this is not possible since Hulu currently does not offer any of the free episodes of this series streaming at this time. the MTV channel, which you get by subscribing to cable or satellite TV services. You will not be able to watch it on Hulu or any other free streaming service.
Is Black Panther: Wakana Forever Streaming on Disney Plus?
Unfortunately, The Little Mermaid is not currently available to stream on Disney Plus and it's not expected that the film will release on Disney Plus until late December at the absolute earliest.
While Disney eventually releases its various studios' films on Disney Plus for subscribers to watch via its streaming platform, most major releases don't arrive on Disney Plus until at least 45-60 days after the film's theatrical.Streaming Thanks....... dfgb